She was twenty-one the year they arrived in the Port of New York aboard the
But surely it was after those first dizzying months had passed that she first started her collection of clippings. It had to be after the Hebrew Immigrant Aid Society had helped them find the tiny apartment on Orchard Street. A tenement house populated by mobs of homeless refugees. Jews like themselves, just off the boats from the displaced persons camps. She remembers stowing the clippings in an Endicott Johnson shoebox. But she didn’t start pasting them into scrapbooks until she married Aaron. That’s when she began treating the clippings like a secret, a shameful secret, hiding them in the rear of the closet behind the vacuum cleaner, where she knew her new husband would never look. After all, why would he ever touch a vacuum cleaner?
“So am I here to make a confession, Doctor?”
“You’ll have to decide that for yourself,” the doctor tells her.
She nods. So that’s how it’s going to be, is it? All up to her? Should a sinner willingly confess to sin? Jews don’t make confessions inside little booths. They must expiate their sins on earth through good deeds, but she is not much for mitzvot these days. Last Christmas, there was a brass band from the Salvation Army playing outside Macy’s. On an impulse, she dropped a five-dollar bill in their pot, but she still couldn’t find a cab. Her bet is that God just pocketed it.
“I’d like you to consider painting again,” says Dr. Solomon.
Rachel stares. “Painting.”
“Yes.”
She feels a sickly terror and has to look away, glancing at the leather sofa to see if Eema has arrived, but it is empty of mothers. “And why should I want to do such a thing, Doctor?” she asks. To push a brush into the crazy woman’s hand. To shove her at a canvas and order her to
And yet! “It could be very helpful,” the good doctor submits. “Creativity can often provide emotional relief.” But he does not press the matter. “Give it some thought,” he suggests. “That’s all I’m saying. Your art,” he tells her. “It seems to me that it plays a large role in forming your self-identity.”
Her self-identity. That ragged patchwork of truths and untruths. In the war, her identity was dependent on forged documents. It was her ersatz self that she clung to, because her true identity could murder her.
***
One of the first things that shocked her about New York City, apart from the looming towers of Midtown and the crowds swarming the sidewalks, were the filthy streets. Berlin was a clean city before it was pummeled into ruin. No one dared drop trash in the street; it would have been unthinkable! Undenkbar! But New York is a pigsty in comparison. The gutters are clogged with trash. Ash bins and garbage barrels overflow. Dogs are permitted to soil the sidewalks with impunity.
Last year, the city government erected a gigantic wire bin in the middle of Times Square, loaded with trash collected from the streets. The accusation was clearly printed in huge letters: THIS LITTER BELONGS TO