For an instant, Rachel feels her nerves tingle at the mention of an angel, but when she turns about, she sees it is only Feter Fritz, a wary expression hung on his face that he is attempting to mold into a smile.
“Look who’s come for a visit, Mr. Landau,” the old lady sings. “Your little plimenitse, a married lady now, pretty as the moon!”
Smiling very cautiously. “So I see, Mrs. Appelbaum.”
“And with such a pretty head! You must be proud!” the old woman declares as she continues her laborious journey downward, gripping the rail. “I’ll leave you two to your own company. Be healthy!”
Feter Fritz inspects Rachel with eyes that are pleasantly suspicious. “So this is a surprise,” he points out.
Inside? The apartment is no different than when Rachel left it five years before. No different, only dustier without someone to sweep. Only dirtier without someone to clean. Only with a coat of downtown grime dulling the window glass. And the smell? Maybe it smelled this way even when she lived here fresh off the boat back in ’49 and ’50. The upholstery and rugs polluted by the stale reek of her uncle’s smoking habit and the interior stink of ancient plumbing. Maybe it smelled back then too, and her nose was blind to it. But now it hits her as if she’s walked into a wall. Her uncle, though, is obviously inured to the stench as he busies himself clearing a spot on the horsehair settee that’s dribbling its stuffing. “Sit! Sit!” he is commanding graciously. “I’ll make some tea.”
But instead of sitting, Rachel surveys her surroundings. A few bleach-stained shirts hang on metal hangers from a nail tacked into the wall. Yellowing editions of
“I’m sorry that I’m out of coffee at the moment,” he apologizes, setting an aluminum kettle on his old hot plate. “But there’s some very decent tea from Zabar’s.”
“Tea is good,” she assures him.
“I’ll see about some sugar,” he buzzes, maintaining his industrious tone till Rachel puts an end to it.
“So where do you have it hidden?”
“Hidden? You mean the sugar?” He really is a perfect liar. Vos a talant!
“No,” Rachel tells him. “I mean Eema’s painting.”
Her uncle is frozen for an instant in the act of holding open the door of the cabinet above the sink. Then he turns, looking painfully mystified. “Her painting? Here I was hoping you’d changed your mind about the fifty dollars. But instead you think
“I went to the pawnbroker, Feter,” Rachel says in a tone that declares the jig is up. “The one on Forty-Seventh Street. I had money. Not fifty. Perhaps not enough, but I was hoping to strike a bargain. Yet when I arrived there, it was already gone. So,” she asks again. “Where is it hidden? Behind a cabinet, perhaps? Or under your bed?”
Oddly, her feter is not chastened but bleakly amused at such an idea. He pulls down a half-empty sack of sugar from the cabinet, the paper at the top crimped closed. “I sleep on the same Murphy bed, Rokhl, don’t you recall? I pull it down from the wall every night, so hiding secret contraband underneath would prove futile.”
“Then
“What on earth makes you
A blink. It’s now Rachel herself who feels chastened. She looks down at her shoes. The penny loafers she bought with her Bonwit Teller employee’s discount.
“Ziskeit!” he calls her with a dry laugh. Sweetness!
“I thought you must have found the money somewhere,” she says. “You are usually so talented at such work, Feter, when it’s essential for you. But if it was not my uncle, then
A shrug over the serendipity of life. “We had our chance, my dear. Our chance,” he says, “to rescue your eema’s name from obscurity. But it was not to be. Fate is impatient; it doesn’t wait on the indecisive. So now it’s gone. To where? Who knows? Perhaps it went to some nishtikeit with a new sofa looking for a picture to hang above it. I have no idea, Rashka. I’m just a poor Jew trying to eke through his final years before the grave.”
“Don’t say that.”
He switches on the hot plate, no longer smiling. “Everyone dies, Ruchel,” he reminds her.
“But not yet.” She feels her eyes go damp. “You still have a long life to live.”