4 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 278.
5 John Southworth: Shakespeare the Player, page 173.
6 Quoted in J.B. Matthews: Molière: His Life and Works, page 39.
7 Quoted in Shakespeare Survey, 17, page 197.
8 Quoted in Chambers: Shakespeare: Facts and Problems, Volume One, page 84.
9 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 262.
10 ibid., page 190.
11 Quoted in Michael Wood: In Search of Shakespeare, page 146.
12 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 191.
Chapter Forty-one
1 Quoted in Gross (ed.): After Shakespeare, page 24.
2 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 133.
3 I am indebted for these suggestions to Rolf Soellner’s essay, “Shakespeare’s Lucrece and the Garnier – Pembroke Connection,” Shakespeare Studies XV (1982).
4 Quoted in Halliwell-Phillips: Outlines of the Life of Shakespeare, page 119.
5 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 197.
6 John Donne: letter to Sir Henry Goodere in Letters to Severall Persons of Honour (1651).
Chapter Forty-two
1 Quoted in R. Fraser: Shakespeare: The Later Years, page 9.
2 Quoted in R.A. Foakes (ed.): The Comedy of Errors, Arden edition (London, 1962), pages 116-7.
3 Quoted in Picard: Elizabeth’s London, page 206.
4 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 255.
5 Quoted in W. Nicholas Knight: Shakespeare’s Hidden Life, page 159.
6 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 255.
Chapter Forty-three
1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 393.
2 See Peter Ackroyd: Albion (London: 2002).
Chapter Forty-five
1 Quoted in Bate (ed.): The Romantics on Shakespeare, page 182.
2 Quoted in Emrys Jones: Scenic Form in Shakespeare, page 4.
3 Quoted in R. Dutton: William Shakespeare: A Literary Life, page 113.
4 Quoted in Gross (ed.): After Shakespeare, pages 23-4.
Chapter Forty-six
1 Quoted in Marchette Chute: Shakespeare of London, page 81.
2 Quoted in Richard Dutton: “The Birth of the Author,” in R.B. Parker and S. Zitner (eds): Elizabethan Theater, page 73.
Chapter Forty-seven
1 Quoted in Gross (ed.): After Shakespeare, page 169.
2 Quoted in Ivor Brown: Shakespeare and the Actors, page71.
Chapter Forty-eight
1 Quoted in Ian Archer: The Pursuit of Stability, page 1.
2 ibid., page 10.
3 Quoted in Schoenbaum: Shakespeare’s Lives, page 462.
4 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 253.
5 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 421.
6 Quoted in Chambers: Shakespeare: Facts and Problems, Volume One, page 353.
7 See Peter Farey: Deception in Deptford, on the internet – www.users.globalnet.co.uk/˜hadland/tvp/tvpintro.htm
8 ibid.
9 Quoted in Jonathan Bate (ed.): Titus Andronicus, Arden edition (London, 1995), pages 43-4.
Chapter Forty-nine
1 Quoted in Peter Thomson: Shakespeare’s Professional Career, page 117.
2 Julia Kristeva: Tales of Love, trans. L.S. Roudiez (New York, 1987), page 9.
3 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 416.
Chapter Fifty
1 I am indebted to Katherine Duncan-Jones for this observation.
2 Quoted in Mark Eccles: Shakespeare in Warwickshire, page 84.
3 Noted in Brian Morris (ed.): The Taming of the Shrew, Arden edition (London, 1981), page 84.
4 See Duncan-Jones: Ungentle Shakespeare, page 157. My discussion of this issue owes a great deal to her perspicacity.
Chapter Fifty-one
1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, pages 455-6.
2 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 108.
3 Quoted in Leslie Hotson: Shakespeare versus Shallow, page 12.
4 Quoted in J.Q. Adams: A Life of William Shakespeare, page 227.
