Shakespeare полностью

The young usher would also have been expected to teach Latin from the dramatic passages of Plautus and of Terence. It is easy to see how Shakespeare’s rhetorical and theatrical gifts might find expression in such an atmosphere. There was a Catholic tradition of plays written for schoolboys, exemplified by Campion himself, who wrote a devotional school-play entitled Ambrosia. Fulke Gillam, mentioned with “William Shakeshafte” in Hoghton’s will, came from a family of pageant masters who organised the mystery plays at Chester. So the young Shakespeare was entering a world of Catholic dramaturgy, rehearsed and performed clandestinely in the halls of the Lancastrian recusant gentry.

After the death of Alexander Hoghton, the young Shakespeare might then have been recruited into Sir Thomas Hesketh’s company of players at Rufford Hall. Both Hoghton Tower and Rufford Hall had banqueting halls, with a screen and a dais, where plays were performed; Hesketh also possessed a stage orchestra, complete with “vyolls, vyolentes, virginals, sagbutts, howboies and cornets, cithron, flute and tabor pypes.”⁵ It has often been remarked how intimately and precisely Shakespeare in his plays traces the life of noble households, with their servants and their banquets. We may be able to find a source for that knowledge in the noble families of Lancashire, well known throughout England for their local power and authority in an area where the majesty of the Crown was only a distant reality. Was it here that the young man acquired that gentility of manner and address that so impressed his contemporaries?

Once again there is a tradition in the vicinity, dating from the early nineteenth century, of Shakespeare living and working in Rufford Hall. In this house, too, there is a Tudor tapestry that depicts the fall of Troy; in The Rape of Lucrece the heroine inspects “a peece of skilfull painting, made for Priams Troy” (1366-7). At a later date Shakespeare helped to choose, as one of the trustees of the Globe Theatre, a native of Rufford itself.

If Hesketh recognised the extraordinary abilities of the young actor (and possibly, even at this early age, already an aspiring dramatist) it is likely that, according to the injunctions of the will, he recommended Shakespeare “to some good master”-namely Lord Strange and his well-known company of talented players. It should be noted here that Lord Strange’s Men performed at least two of Shakespeare’s earliest plays. Everyone agrees that Shakespeare must have had some full and proper training as an actor before emerging, fully armed, upon the London stage in 1592, when he is described as “excelent in the qualitie he professes.” Every actor in the professional companies had some apprenticeship or previous training. Why could this not have been achieved by Shakespeare with Strange’s Men?

A stray piece of research serves to deepen, if not necessarily to strengthen, the picture. Fifty years ago two Shakespearian scholars, Alan Keen and Roger Lubbock, discovered a copy of Hall’s Chronicles which had been heavily annotated in an unknown hand. Hall’s Chronicles was an indispensable source book for Shakespeare’s history plays, but this particular copy has an independent interest. The annotations have been made in a youthful hand, and display “sympathy with Hall’s patriotic enthusiasm and fury at his anti-Catholicism”;⁶ there are also notes and marginal comments on such matters as the resignation of Richard II. A graphologist, inspecting this handwriting, has concluded that the letterings “indicate the probability that Shakespeare and the annotator were the same man, but do not by any means prove it.”⁷ None of this would be of the slightest consequence were it not for the fact that Keen and Lubbock, pursuing their investigations, discovered that this particular volume was in the joint or communal possession both of Thomas Hoghton and of Thomas Hesketh.

A chronology of the salient events in the summer and autumn of 1581 will create a context for the young Shakespeare. Edmund Campion was arrested on 16 July, and was taken to the Tower for torture on 31 July. On 5 August, two days after Alexander Hoghton had made his will, the Privy Council issued an order for the search of “certain books and papers which Edmund Campion has confessed he left at the house of one Richard Hoghton in Lancashire.” Richard Hoghton was then arrested. Could it be that Alexander Hoghton had made his will because he knew by then that he might be arrested and that perhaps he did not expect to live for very long? On 21 August the Privy Council congratulated the loyal magistrates of Lancashire for seizing Campion’s hosts and for taking “certain papers, in Hoghton House.”