‘Thank you, Linbaba!’ he shouted back happily. ‘Please don’t be thinking I am ungrateful, but I don’t want you to come back here again. I don’t want you to visit me. You can put some money for me, sometimes, if you think of it. But please don’t come back again. This is my life now. This is my life. It will be hard for me, if you come back here. I will think about things. I thank you very much, Lin, and I wish a full happiness for you.’

His hands released their hold on the wire fence. He held them together in a praying gesture of blessing, bowing his head slightly, so that I lost contact with his eyes. Without that strong grip on the fence he was at the mercy of the crowd of prisoners, and in seconds he fell back, vanishing into the bubbling wave of faces and hands at the wire. A door at the back of the room opened behind the prisoners, and I watched Anand slip through into the hot yellow light of day with his head high and his thin shoulders bravely squared.

I stepped out onto the street outside the prison. My hair was wet with sweat, and my clothes were soaked. I squinted in the sunlight and stared at the busy street, trying to force myself into its rhythm and rush, trying not to think about Anand in the long room with the overseers, with Big Rahul, with the hunger and the beatings and the filthy, swarming pests. Later that night I would be with Prabaker and Johnny Cigar, Anand’s friends, while they celebrated the double wedding. Later that night, Anand would be crammed into a writhing, lice-crawling sleep with two hundred other men on a stone floor. And that would go on, and on, for fifteen years.

I took a cab to my apartment and stood under a hot shower, scorching the slither and itch of memory from my skin. Later, I phoned Chandra Mehta to make the final arrangements for the dancers I’d hired to perform at Prabaker’s wedding. Then I phoned Kavita Singh, and told her that Anand wanted us to pull out of the campaign. She was relieved, I think. Her kind heart had fretted for him, and she’d feared from the first that the campaign would fail and then crush him with the weight of fallen hope. She was also glad that he’d given his blessing to her stories about the Blue Sisters. The girls fascinated her, and she’d arranged for a documentary film-maker to visit them in the slum. She wanted to talk about the project, and I heard the sparkling enthusiasm in her voice but I cut her off, promising to call again.

I went out to my little balcony, and let the sound and smell of the city settle on the skin of my bare chest. In a courtyard below, I saw three young men rehearsing the moves and steps of a dance routine they’d copied from a Bollywood film. They laughed helplessly when they messed up the moves of the party piece, and then gave a cheer when they finally danced through one whole routine without error. In another yard some women were squatting together, washing dishes with small anemones of coir rope and a long bar of coral-coloured soap. Their conversation came to me in laughing gasps and shrieks as they scandalised one another with gossip and sardonic commentaries on the peculiar habits of their neighbours’ husbands. Then I looked up to see an elderly man sitting in a window opposite me. My eyes met his, and I smiled. He’d been watching me as I’d watched the others below. He wagged his head from side to side, and smiled back at me with a happy grin.

And it was all right. I dressed, and went down to the street. I made the rounds of the black-market currency collection centres, and checked in at Abdul Ghani’s passport factory, and inspected the gold-smuggling ring I’d restructured in Khader’s name. In three hours I committed thirty crimes or more. And I smiled when people smiled at me. When it was necessary, I gave men enough bad head, as gangsters call it, to make them draw back and lower their eyes in fear. I walked the goonda walk, and in three languages I talked the talk. I looked good. I did my job. I made money, and I was still free. But in the black room, deep in my mind, another image added itself to the secret gallery-an image of Anand, holding the palms of his hands together, as his radiant smile became a blessing and a prayer.

Everything you ever sense, in touch or taste or sight or even thought, has an effect on you that’s greater than zero. Some things, like the background sound of a bird chirping as it passes your house in the evening, or a flower glimpsed out of the corner of an eye, have such an infinitesimally small effect that you can’t detect them. Some things, like triumph and heartbreak, and some images, like the image of yourself reflected in the eyes of a man you’ve just stabbed, attach themselves to the secret gallery and they change your life forever.

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