Prabaker pointed to the freight elevator attached to the outside of the building in a yellow, steel framework. She watched as the platform jerked and rattled upwards on heavy cables with loads of men and equipment.

"Oh, swell," Karla said. "Now I feel great about it."

"I feel great, too, Miss Karla!" Prabaker agreed, his smile huge as he tugged at her sleeve and pulled her toward the elevator.

"Come, we will catch the lifts on the next run. They are a beautiful buildings, yes?"

"I don't know. They look like monuments to something that died," she muttered to me as we followed him. "Something very unpopular ... like... the human spirit, for example."

The workmen who ran the freight elevator shouted safety instructions at us, gruff in their self-importance. We climbed onto the wobbling platform with several other men and women, and a wheelbarrow containing work tools and barrels of rivets. The driver blew two shrill blasts on his metal whistle and threw the lever that activated the powerful generators, controlling our ascent. The motor roared, the platform shuddered, throwing us at the panic-handles attached to the uprights, and the elevator groaned slowly upwards. There was no cage surrounding the platform, only a yellow pipe at waist height around the three open sides. In a few seconds, we were fifty, eighty, a hundred metres off the ground.

"How do you like it?" I shouted.

"I'm scared out of my brain!" she shouted back, her dark eyes shining. "It's great!"

"Are you afraid of heights?"

"Only when I'm on them! I hope you got a reservation, at this goddamn restaurant of yours! What are we doing eating lunch here, anyway? Don't you think they should finish the building first?"

"They're working on the top floors now. This elevator is constantly in use. It's not usually available for the workers to use. It's reserved for wheelbarrows and building materials and stuff. It's a long climb, up thirty flights of steps every day, and it gets fairly tricky in places. A lot of the people who work these upper floors stay up here most of the time. They live up here. Eat, work, and sleep. They've got farm animals and kitchens and everything. Goats for milk, and chickens for eggs, everything they need is sent up to them. It's sort of like a base camp that mountaineers use when they climb Everest."

"The Village in the Sky!" she shouted back.

"You got it."

The elevator stopped at the twenty-third floor, and we stumbled out onto a concrete surface that sprouted clumps of steel rods and wires like metal weeds. It was a vast, cavernous space, divided by equidistant columns and canopied by a flat, concrete ceiling adorned with a creepery of cables. Every flat plane was an unrelieved grey, which gave a startling vividness to the human and animal figures grouped on the far side of the floor. An area around one of the pillars was fenced off with wicker and bamboo for use as an animal pen. Straw and hessian was strewn about to serve as bedding for the goats, chickens, cats, and dogs that foraged amid discarded food scraps and rubbish in the pen. Rolled blankets and mattresses, for the people who slept there, were heaped around another pillar. Yet another pillar had been designated as a play area for children, with a few games and toys and small mats scattered for their use.

As we approached the crowd of people, we saw that a great feast was being laid out on clean reed mats. Huge banana leaves served as plates. A team of women scooped out servings of saffron rice, alu palak, kheema, bhajee, and other foods. A battery of kerosene stoves stood nearby, and more food was cooking there. We washed our hands in a drum of water and joined the others, sitting on the floor between Johnny Cigar and Prabaker's friend Kishore. The food was much more piquantly spiced with chillies and curries than any available in restaurants in the city, and much more delicious. As was customary, the women had their own banquet, laid out some five metres away. Karla was the only female in our group of twenty men.

"How are you liking the party?" Johnny asked Karla as the first course of foods was being replaced by the second.

"It's great," she replied. "Damn nice food. Damn nice place to eat it."

"Ah! Here is the new daddy!" Johnny called out. "Come here, Dilip. Meet Miss Karla, a friend of Lin's who has come to eat with us."

Dilip bowed low with his hands pressed together in greeting, and then moved away, smiling shyly, to supervise the preparation of tea at two large stoves. He worked as a rigger on the site. The site manager had given him the day off to organise the feast for his family and friends. His hut was on the legal side of the slum, but close to my own across the wire. Beside the women's banquet area, just beyond Dilip's tea stoves, two men were attempting to clean something from the wall. A word that someone had painted there was still legible beneath their scrubbing. It was the word SAPNA, written in large English capitals.

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