I stood up and brushed myself off in a very narrow, low corridor that snaked ahead, following the shapes and corners of the rooms it circumscribed. Metal grates were set into the walls of the rooms that the secret corridor passed. Some of them were low, near the floor, and others were higher. Beneath the higher metal grates were boxed steps. From the lowest of those steps I looked into a room through the heart-shaped gaps in the metal grille. I could see the whole room beyond: the cracked mirror on the wall, the burned and collapsed bed, and the rusted metal nightstand beside it.
There were several steps above the one on which I stood, and I imagined her, Madame Zhou, crouched there on the topmost step and breathing silently while she watched, and watched.
The corridor wound through several turns, and I lost my bearings, unsure in the enshrouding darkness if I faced the front of the house or the rear. At one point the secret corridor inclined sharply. I climbed upward until the higher metal grilles disappeared, and I stumbled in the dark upon a flight of steps.
Feeling my way upward, I encountered a door. It was a small, paneled wooden door-so small and perfectly proportioned that it mightVe been furnished for a child's playhouse. I tried the doorknob. It turned easily in my hand. I pushed it open, and shrank back immediately at the inward rush of light from beyond.
I stepped into an attic room lit by a row of four stained-glass dormer windows that peaked like little chapels and reached out over the external roof of the house. The fire had reached the room, but it had failed to destroy it. The walls were darkened, splashed with streaky burn-shadows, and the floor was holed in places to reveal a deep sandwich layer between it and the ceiling of the room below. Parts of the long room, however, were quite solid and untouched by the flames. In those islands of exotically carpeted floor and unblemished wall-space, furniture still stood intact and unmarked. And in the stiff, enwrapping arms of a throne-like chair, her face twisted in a manic stare, was Madame Zhou.
As I approached her I realised that the malevolent stare wasn't directed at me. She was staring with hatred and spite at some point in the past, some place or person or event that held her mind as firmly as a chain holds a dancing bear. Her face was made up with a thick smear and powdering of cosmetics. It was a mask- more tragic, for all its deluded exaggerations, than grotesque.
The painted mouth was bigger than her own lips. The scrawled eyebrows were larger than the real ones. The daubed cheeks were higher than the bones beneath them. When I stood near enough, I saw that there was a trickle of drool dripping, dripping, from the corner of her mouth into her lap. The smell of alcohol, undiluted gin, wreathed her and coiled into other smells, more foul and sickening. Her hair was almost concealed by a wig. The thick coils of the black, pompadour wig hung slightly askew, revealing the short, sparse grey hair beneath. She was dressed in a green silk cheongsam. The neck of the dress covered her throat almost to her chin. Her legs were folded, with her feet resting on the seat of the chair beside her. They were tiny feet-the size of a small child's feet-enclosed in soft, silk slippers.
Her hands, as limp and expressionless as her slack mouth, lay in her lap like things washed up on a deserted shore.
It was impossible for me to tell her age or her nationality. She might've been Spanish. She might've been Russian. She might've been Indian, in part, or Chinese, or even Greek. And Karla was right-she had been beautiful once. It was the kind of beauty that grows from the sum of its parts rather than from any one outstanding feature: a beauty that strikes the eye rather than the heart, and a beauty that sours if it isn't nourished by some goodness from within. And she wasn't beautiful then, in that moment. She was ugly. And Didier was right, too: she was beaten and broken and finished. She was floating on the black lake, and soon the dark water would drag her under. There was a deep silence where her mind used to be, and a blank, uncraving emptiness where once her cruel and scheming life had ruled.
Standing there, invisible to her, I was astonished and bewildered to realise that I felt not angry or vengeful, but ashamed. I felt ashamed that I'd filled my heart with revenge. The part of me that had wanted to-What? Had I really wanted to kill her?-was the very part that was like her. I looked at her, and I knew that I was looking at myself, my own future, my destiny, if I couldn't rid my heart of its vindictiveness.
