"Yes," he said, not smiling. "Yes, I think you are right-you would have beaten him. But the others, the girl and your Indian friend, one of them would have been hurt, or even killed, if you had survived. When the sword came down, if it did not strike you, it would have hit one of them, I think it is so. One of you would have died. You or your friends-one of you would be dead."
It was my turn to be silent. The sense of dread I'd felt a moment before was suddenly a full-blown alarm. My heart was thumping a loudness of blood. He was talking about having saved my life, and yet I sensed a threat in his words. I didn't like it. Anger began to rise in me. I tensed, ready to fight him, and stared hard into his eyes.
He smiled, and put a hand on my shoulder, just as he'd done less than an hour before at another sea wall, on Marine Drive. As quickly as the tingling, intuitive sense of alarm arose, it also passed; as powerful as it had been, it was suppressed and gone.
It was months before I thought of it again.
I turned to see the cop saluting and moving away from Khader's car.
"Khaderbhai was very conspicuous about giving that cop a bribe."
Abdullah laughed, and I remembered the first time I'd heard him laugh out loud, in the den of the Standing Babas. It was a good laugh, guileless and completely unselfconscious, and I suddenly liked him because of it.
"We have a saying in Persian-Sometimes the lion must roar, just to remind the horse of his fear. This policeman has been making problems here at Haji Ali. The people do not respect him. For that, he is unhappy. His unhappiness is causing him to make problems. The more problems he makes, the less respect he gets from the people. Now they see such big baksheesh, more than a policeman like him is getting, and they will respect him a little. They will be impressed that the great Khaderbhai pays him so well. With this little respect, he will make less problems for all of us. But still, the message is very clear. He is a horse, but Khader is a lion. And the lion, it has roared."
"Are you Khaderbhai's bodyguard?"
"No, no!" he laughed again. "Lord Abdel Khader needs no protection. But..." He paused, and we both looked at the grey- haired man in the back of the modest limousine. "But I would die for him, if that is what you mean. That, and a lot more would I do for him."
"There's not a lot more you can do for someone than die for them," I replied, grinning at his earnestness as much as the strangeness of his idea.
"Oh yes," he said, putting an arm around my shoulder and leading us back towards the car. "There is a lot more."
"You are making a friendship with our Abdullah, Mr. Lin?"
Khaderbhai said as we climbed back into the car. "This is a good thing. You should be close friends. You look like brothers."
Abdullah and I looked at one another, and laughed gently at the words. My hair was blond, and his was ink black. My eyes were grey, and his were brown. He was Persian, and I was Australian.
At first glance, we couldn't be more dissimilar. But Khaderbhai stared from one to the other of us with such a puzzled frown, and was so genuinely bewildered by our amusement, that we swallowed our laughter in smiles. And as the car headed out along the Bandra road, I thought about what Khader had said. I found myself thinking that, for all the differences between us, there just might be some perceptive truth in the older man's observation.
The car drove on for almost an hour. It slowed, at last, on the outskirts of Bandra, in a street of shops and warehouses, and then bumped into the entrance to a narrow lane. The street was dark and deserted, as was the lane. When the car doors opened, I could hear music and singing.
"Come, Mr. Lin. We go," Khaderbhai said, feeling no compulsion to tell me where we were going or why.
The driver, Nazeer, remained with the car, leaning against the bonnet and finally allowing himself the luxury of unwrapping the paan that Abdullah had bought for him at Haji Ali. As I passed him to walk down the lane, I realised that Nazeer hadn't spoken a single word, and I wondered at the long silences so many Indian people practised in that crowded, noisy city.
We passed through a wide stone arch, along a corridor and, after climbing two flights of stairs, we entered a vast room filled with people, smoke, and clamorous music. It was a rectangular room, hung with green silks and carpets. At the far end there was a small, raised stage where four musicians sat on silk cushions.
Around the walls there were low tables surrounded by comfortable cushions. Pale green, bell-shaped lanterns, suspended from the wooden ceiling, cast trembling hoops of yellow-gold light.
