Slow Horses полностью

Which is more than can be seen from bus-level, certainly. For instance, it is now clear that the wobbling ziggurat to one side of the young Chinese man’s desk is composed of pizza boxes, and the tin pyramid to the other of Coke cans; and clear, too, that he appears to have sole occupation of this office. There is another desk, but its surface is clear; almost antiseptically so. It’s as if a particularly conscientious cleaner has obliterated all traces of the desk’s erstwhile occupant; a sterilization which evidently leaves his former colleague undismayed, occupied as he is by whatever is unreeling on his screen.

This thorough decluttering is in marked contrast to the state of the adjoining office, which looks to have been abandoned at a moment’s notice. The desktops here are still littered with the usual detritus: diaries open to future events, uncapped pens, an alarm clock, a radio, a small gonk. Stuff which, upon a desk-worker’s abrupt departure, would usually find itself swept into the nearest cardboard box and carted home. But here it all remains, suggesting that whichever pair recently shared this office found good reason not to return; being guilty, perhaps, of the kind of offence which has rendered them not only persona non grata but in danger of incurring active hostility from above.

Onwards and upwards, though; onwards and upwards. From the Barbican perch, a view of the second floor is offered, and this is busier, or at any rate, more peopled. In one of the offices—for our watcher, the one to the left—a pair of workers sit at the same desk; or rather, one sits at the desk while her companion perches on its edge, both concentrating on a transistor radio. Meanwhile, in the next room—the one whose windows read W W Henderson, Solicitor and Commissioner For Oaths—a young man sits alone; a freshly barbered young man of average height; fair-haired, pale-skinned, grey-eyed; with a sharpish nose and a small mole on his upper lip. He sits unmoving, his gaze apparently focused on the desk in the other half of his room. This, like its counterpart in the occupied office downstairs, appears to have been swept clean of personal effects, leaving only the ubiquitous computer and keyboard, a telephone, and a battle-scarred blotter belonging to another era entirely. But closer inspection reveals something else on the desk’s surface; an object our watcher recognizes as a hair-slide, or barrette, though whether that word forms part of the young man’s vocabulary is open to question. And yet for the moment at least it demands his full attention: an abandoned barrette on a blotter on an unoccupied desk.

So far, so pleasing, from our watcher’s point of view, but even from her current vantage point the topmost floor remains inaccessible; the blind drawn over its windows ensuring that whoever haunts this floor does so unobserved. That should be an end of it, then. Our watcher should move along, there being nothing more to see. And yet still she remains, as if she were in possession of some sophisticated piece of surveillance kit that allows her not only to study the people through the windows but to unpeel their actual thoughts, and thus learn that Roderick Ho’s constant trawling through the Service’s classified databases is a quest for the secret that ever eludes him, this being the nature of the sin for which he’s been banished to Slough House—for he is certain that he has committed no crimes that anyone is aware of. And he might be right about this, but the fact remains that he’s looking in the wrong place, since the reason for his exile lies not in his doings but simply in his being. For Roderick Ho is disliked by everyone he encounters, a direct result of his own palpable dislike for everyone else, and his expulsion from Regent’s Park was the administrative equivalent of the swatting of a fly. And if this explanation ever does occur to Ho, enlightenment will probably have its roots in that moment in the café on Old Street, when Catherine Standish called him Roddy.