(Berlin, if you insisted. The Spooks’ Zoo was Berlin, back when the cages had just been unlocked, and frightened thugs were pouring from the woodwork like beetles from an upturned log. At least twice a day, some sweating, would-be asset was at the door claiming to have the crown jewels in a cardboard suitcase: defence details, missile capability, toxic secrets … And yet, for all the flurry of activity, the writing was on the newly dismantled Wall: everyone’s past had been blown away, but so had Dickie Bow’s future. Thanks, old chap. Afraid there’s not much call for your, ah, skills any more … What pension? So naturally, he’d drifted back to London.)

The driver called something Dickie didn’t catch. The door hissed shut and the horn was tapped twice; a farewell note to the lingering buses. Dickie rubbed his thigh where the edge of a briefcase or umbrella-tip had nipped him, and thought about luck, and the strange places it dragged you. Such as, from a Soho street into the tube and out the other end; into Paddington, onto a train, then onto this bus. He still didn’t know whether that luck was good or bad.

When the lights went out the bus briefly became a travelling shadow. Then passengers switched overhead bulbs on, and blue screens gleamed upwards from laptops, and fists wrapped round iPhones grew spectrally white. Dickie fiddled his own phone from his pocket, but he had no messages. There were never any messages. Scrolling through his contact list, he was struck by how short it was. Two seats in front, the hood had rolled his newspaper into a baton, wedged it between his knees, and hung his hat upon it. He might be asleep.

The bus left Reading behind. Through the window, dark countryside unfurled. Some distance off, an ascending sequence of red lights indicated the mast at Didcot, but the cooling towers were invisible.

In Dickie’s hand, the mobile was a grenade. Rubbing his thumb on its numberpad, he registered the tiny nipple on the middle button that allowed you to orient your fingers in the dark. But nobody was hanging on Dickie’s words. Dickie was a relic. The world had moved on, and what would his message be anyway? That he’d seen a face from the past, and was following it home? Who would have cared? The world had moved on. It had left him behind.

Rejection came softer these days. Dickie heard occasional whispers on the Soho songlines, and these days even the useless were given a chance. The Service, like everyone else, was hamstrung by rules and regulations: sack the useless, and they took you to tribunal for discriminating against useless people. So the Service bunged the useless into some godforsaken annex and threw paperwork at them, an administrative harassment intended to make them hand in their cards. They called them the slow horses. The screw-ups. The losers. They called them the slow horses and they belonged to Jackson Lamb, whom Dickie had encountered, back in the Spooks’ Zoo.

His mobile gave a blip, but there was no message; only a warning that it was running out of power.

Dickie knew how it felt. He had nothing to say. Attention wavered and refocused elsewhere. Laptops hummed and mobiles whispered, but Dickie had no voice. Had no movement, bar a feeble flexing of his fingers. The tiny nipple on the keypad’s middle button scratched beneath his thumb: scratch scratch.

There was an important message to deliver, but Dickie did not know what it was, nor to whom it should be sent. For a few luminous moments he was aware of being part of a warm, humid community, breathing the same air, hearing the same tune. But the tune slipped out of earshot, and became beyond recall. Everything faded, save the scene through the window. The landscape continued unrolling one black fold after another, dotted with pinpricks of light, like sequins on a scarf. And then the lights blurred and dimmed and the darkness rolled over itself one final time, and then there was only the bus carrying its mortal cargo through the night, heading for Oxford, where it would deliver one soul fewer than it had gathered, back in the rain.

PART ONE

BLACK SWANS

Now that the roadworks have finally gone, Aldersgate Street, in the London borough of Finsbury, is calmer; nowhere you’d choose to have a picnic, but no longer the vehicle-related crime scene it once resembled. The area’s pulse has normalised, and while noise levels remain high, they’re less pneumatic, and include the occasional snatch of street music: cars sing, taxis whistle, and locals stare in bafflement at the freely flowing traffic. Once it was wise to pack a lunch if you were heading down the street on a bus. Now you could while away half an hour trying to cross it.

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