Speak, Memory полностью

I would like to remember every small park we visited; I would like to have the ability Professor Jack, of Harvard and the Arnold Arboretum, told his students he had of identifying twigs with his eyes shut, merely from the sound of their swish through the air (“Hornbeam, honeysuckle, Lombardy poplar. Ah—a folded Transcript”). Quite often, of course, I can determine the geographic position of this or that park by some particular trait or combination of traits: dwarf-box edgings along narrow gravel walks, all of which meet like people in plays; a low blue bench against a cuboid hedge of yew; a square bed of roses framed in a border of heliotrope—these features are obviously associated with small park areas at street intersections in suburban Berlin. Just as clearly, a chair of thin iron, with its spidery shadow lying beneath it a little to one side of center, or a pleasantly supercilious, although plainly psychopathic, rotatory sprinkler, with a private rainbow hanging in its spray above gemmed grass, spells a Parisian park; but, as you will well understand, the eye of memory is so firmly focused upon a small figure squatting on the ground (loading a toy truck with pebbles or contemplating the bright, wet rubber of a gardener’s hose to which some of the gravel over which the hose has just slithered adheres) that the various loci—Berlin, Prague, Franzensbad, Paris, the Riviera, Paris again, Cap d’Antibes and so forth—lose all sovereignty, pool their petrified generals and fallen leaves, cement the friendship of their interlocked paths, and unite in a federation of light and shade through which bare-kneed, graceful children drift on whirring roller skates.

Now and then a recognized patch of historical background aids local identification—and substitutes other bonds for those a personal vision suggests. Our child must have been almost three on that breezy day in Berlin (where, of course, no one could escape familiarity with the ubiquitous picture of the Führer) when we stood, he and I, before a bed of pallid pansies, each of their upturned faces showing a dark mustache-like smudge, and had great fun, at my rather silly prompting, commenting on their resemblance to a crowd of bobbing little Hitlers. Likewise, I can name a blooming garden in Paris as the place where I noticed, in 1938 or 1939, a quiet girl of ten or so, with a deadpan white face, looking, in her dark, shabby, unseasonable clothes, as if she had escaped from an orphanage (congruously, I was granted a later glimpse of her being swept away by two flowing nuns), who had deftly tied a live butterfly to a thread and was promenading the pretty, weakly fluttering, slightly crippled insect on that elfish leash (the by-product, perhaps, of a good deal of dainty needlework in that orphanage). You have often accused me of unnecessary callousness in my matter-of-fact entomological investigations on our trips to the Pyrenees or the Alps; so, if I diverted our child’s attention from that would-be Titania, it was not because I pitied her Red Admirable (Admiral, in vulgar parlance) but because there was some vaguely repulsive symbolism about her sullen sport. I may have been reminded, in fact, of the simple, old-fashioned trick a French policeman had—and no doubt still has—when leading a florid-nosed workman, a Sunday rowdy, away to jail, of turning him into a singularly docile and even alacritous satellite by catching a kind of small fishhook in the man’s uncared-for but sensitive and responsive flesh. You and I did our best to encompass with vigilant tenderness the trustful tenderness of our child but were inevitably confronted by the fact that the filth left by hoodlums in a sandbox on a playground was the least serious of possible offenses, and that the horrors which former generations had mentally dismissed as anachronisms or things occurring only in remote khanates and mandarinates, were all around us.