Borodin, the oldest member of Balakirev’s circle, was a physically hearty man almost to his last day. To everyone’s surprise, he died unexpectedly in 1887 in his fifty-fourth year while at a costume ball. Fooling around and making everyone laugh, the composer suddenly leaned against a wall and fell dead to the floor. The diagnosis was a heart attack. He did not finish his major work,
Chemistry constantly kept him from composing, as well as from numerous civic functions; in particular, Borodin, a staunch defender of women’s rights, was one of the founders of the first medical courses for women in Russia. His colleagues at the academy found it strange that a talented scientist could be distracted by musical “trifles”; Petersburg suffragettes considered Borodin’s struggle for equal rights for women to be his paramount activity. He himself seemed unable to decide which was the most important: science, civic duties, or composing.
Friends in the Mighty Five, who held Borodin’s musical ability in high regard, were dismayed by his disregard of composition. Rimsky-Korsakov recalled bitterly his attempts to urge Borodin to work more diligently on
Sometimes you’d go see him and ask what he had done. And he’d show you a page or two of score or maybe nothing at all. You’d ask, “Alexander Porfiryevich, have you written?” And he’d reply, “I have.” It would turn out he’s written a lot of letters. “Alexander Porfiryevich, have you at least arranged such-and-such a number?” “I have,” he would reply seriously. “Thank God, at last!” “I arranged it to be moved from the piano to the table,” he would continue just as seriously and calmly.66
After Borodin’s untimely death Rimsky-Korsakov and his younger friend, Alexander Glazunov, completed and orchestrated
In a city that seemed almost perfect in its architectural orderliness and completeness, the very idea of completeness was in the air, influencing creative people; every work, it seemed, had to be finished. This impulsive longing for order clearly affected Rimsky-Korsakov, the most Petersburgian in character and aesthetics of the Mighty Five. As the most professional of the group, Rimsky-Korsakov not only completed (with Cui) Dargomyzhsky’s
Dedicated to Glinka, Borodin’s Prince Igor continued the patriotic line of
Two contrasting worlds are depicted in