It begins in the realm of the Real, where matter still matters.It begins with a murder.And it will not end until the Culture has gone to war with death itself.Lededje Y'breq is one of the Intagliated, her marked body bearing witness to a family shame, her life belonging to a man whose lust for power is without limit. Prepared to risk everything for her freedom, her release, when it comes, is at a price, and to put things right she will need the help of the Culture.Benevolent, enlightened and almost infinitely resourceful though it may be, the Culture can only do so much for any individual. With the assistance of one of its most powerful – and arguably deranged – warships, Lededje finds herself heading into a combat zone not even sure which side the Culture is really on. A war – brutal, far-reaching – is already raging within the digital realms that store the souls of the dead, and it's about to erupt into reality.It started in the realm of the Real and that is where it will end. It will touch countless lives and affect entire civilizations, but at the center of it all is a young woman whose need for revenge masks another motive altogether.SURFACE DETAIL is Iain M. Banks' new Culture novel, a breathtaking achievement from a writer whose body of work is without parallel in the modern history of science fiction.
A book in the Culture series, 2011
With thanks to Adèle
“This one might be trouble.”
She heard one of them say this, only ten or so metres away in the darkness. Even over her fear, the sheer naked terror of being hunted, she felt a shiver of excitement, of something like triumph, when she realised they were talking about her. Yes, she thought, she would be trouble, she already was trouble. And they were worried too; the hunters experienced their own fears during the chase. Well, at least one of them did. The man who’d spoken was Jasken; Veppers’ principal bodyguard and chief of security. Jasken. Of course; who else?
“You think so… do you?” said a second man. That was Veppers himself. It felt as though something curdled inside her when she heard his deep, perfectly modulated voice, right now attenuated to something just above a whisper. “But then… they’re all trouble.” He sounded out of breath. “Can’t you see…
She was standing, flattened, against a flat scenery. In the gloom, a moment before she had spread herself against the enormous backdrop, she had been able to make out that it was just painted canvas with great sweeps of dark and light paint, but she had been too close to it to see what it actually portrayed. She angled her head out a little and risked a quick look down and to the left, to where the two men were, standing on a gantry cantilevered out from the side of the fly tower’s north wall. She glimpsed a pair of shadowy figures, one holding something that might have been a rifle. She couldn’t be sure. Unlike Jasken, she had only her own eyes to see with.
She brought her head back in again, quickly but smoothly, scared that she might be seen, and tried to breathe deeply, evenly, silently. She twisted her neck this way and that, clenched and unclenched her fists, flexed her already aching legs. She was standing on a narrow wooden ledge at the bottom of the flat. It was slightly narrower than her shoes; she had to keep her feet splayed, toes pointing outwards in opposite directions, to stop herself from falling. Beneath, unseen in the darkness, the wide rear stage of the opera house was twenty metres further down. If she fell, there were probably other cross-gantries or scenery towers in the way for her to hit on the way down.
Above her, unseen in the gloom, was the rest of the fly tower and the gigantic carousel that sat over the rear of the opera house’s stage and stored all the multifarious sets its elaborate productions required. She started to edge very slowly along the ledge, away from where the two men stood on the wall gantry. Her left heel still hurt where she’d dug out a tracer device, days earlier.
“Sulbazghi?” she heard Veppers say, voice low. He and Jasken had been talking quietly to each other; now they were probably using a radio or something similar. She didn’t hear any answer from Dr. Sulbazghi; probably Jasken was wearing an earpiece. Maybe Veppers too, though he rarely carried a phone or any other comms gear.
Veppers, Jasken and Dr. S. She wondered how many were chasing her as well as these three. Veppers had guards to command, a whole retinue of servants, aides, helpers and other employees who might be pressed into service to help in a pursuit like this. The opera house’s own security would help too, if called on; the place belonged to Veppers, after all. And no doubt Veppers’ good friend, the city Chief of Police would lend any forces requested of him, in the highly unlikely event Veppers couldn’t muster enough of his own. She kept on sliding her way along the ledge.
“On the north side wall,” she heard Veppers say after a few moments. “Gazing up at varied bucolic backdrops and scenic scenes. No sign of our little illustrated girl.” He sighed. Theatrically, she thought, which was at least appropriate. “Lededje?” he called out suddenly.
She was startled to hear her own name; she trembled and felt the painted flat at her back wobble. Her left hand flew to one of the two knives she’d stolen, the double sheath looped onto the belt of the workman’s trousers she was wearing. She started to tip forward, felt herself about to fall; she brought her hand back, steadied herself again.
“Lededje?” His voice, her name, echoed inside the great dark depths of the fly carousel. She shuffled further along the narrow ledge. Was it starting to bend? She thought she felt it flexing beneath her feet.
