No, no, I did not go all the way to Blacktown (and in Launces-ton a disgusted cab driver said: Have you heard the latest? In your country the schoolchildren have to sing
Under the sign, another man stood drinking V.B. He held the can very tightly in his hand. He did not quite reek as some drunks do but he was beery enough. He looked into my face. They called him black and that was what he sometimes called himself, but actually his skin was more reddish, almost Venetian red like that of the brown-haired aboriginal girl on the train who'd looked at me with such big searching brown eyes, working her plump, kissable lips as if to say something that she'd never said; this man opened his mouth and said: Buy me another, mate? How 'bout it? — Then he fell down. That was Redfern Station.
Outside there was a street, and across the street was a wall with a giant snake painted on it in aboriginal style, with the words 40,000 YEARS IS A LONG TIME. . 40,000 YEARS STILL ON MY MIND. Turning the corner of this street, at the Redfern Aboriginal Cooperative, I found myself looking down a narrow street where right away a fat woman with a beer in her hand said: Excuse me. Could you spare a smoke? and the wall went on down that street, muraled with silhouettes who had white-dotted skeletons; and I saw grimy rainbows and dot-painted flowers and then the street narrowed further, sloping down into shady house-walls where people sat on their porches listening to radios, drinking, smoking and staring out. This was the Street of Stares. I had the feeling of coming into a place where I did not belong. White shoes and socks glowed on dark and shaded bodies, all lining the way and watching me. Second storeys gaped doorlessly like the bomb-burned flats I'd seen in Sarajevo; sky shone through one such hole; the others were dank and dirty and grafhti'd, coolly unfriendly like the eyes of the watchers, or so it seemed to me as I went on, remembering times when I'd come into certain black neighborhoods in my own country and found myself immediately hated, but then a man nodded back at me and said: G'day, mate! and I was comfortable again, which might have been stupid, because Snake, who that day became my wise uncle, told me: I'm not allowed to go out at night. My woman don't let me. Lotsa fights. I tell you now, don't walk around here. — That was Snake, and his woman was Sadie, and then there were Ruthie and Rob, all of whom lived together farther down that narrow street which smelled in places like airplane glue, not as far as the very end where thick gratings and brick mirrors greeted the next highway, across which lay the stinking pub where I bought the case of Victoria Bitters so that Rob would like me and take me in to Ruthie, Sadie and Snake behind that wall built less of grimy brick than of stares.
Originally we was from up the bush, Snake said, opening the first V.B. North coast. We came just visiting here. Then we stayed.
Tell you something about Redfern, the younger man cut in. They got a different attitude here. A bad attitude.
So why did you come visiting then? I asked.
Well, really there wasn't nothing up there, said Snake. Not enough to do. More opportunity in the city than in the country. That's why we're here.
Yeah, look at him talk, laughed Rob as he took out a beer. What kinda
A lot of people playin' the numbers just to pass the time, Snake admitted. Really can't go anywhere. I'm only just visitin'. Wanna go back, huntin' and fishin'. And my woman, she's from the snow country, the table lands.
I miss the trees, the mountains, the grass, agreed Sadie wearily, sipping at her V.B.
All we needed up there was a tent, said Snake. Like, you could go to the river and get everything. I can kill anything with a stone that big. I could take two men out. I done it before.