"The rest of the things make that clear enough," Flamborough said, indicating several other prints which showed microphotographic reproductions of a number of other details of the document. "There’s no doubt whatever that these are all genuine bits of Silverdale’s handwriting. There’s been no faking of the paper or anything like that."
Sir Clinton continued his study of the photographs, evidently with keen interest; but at last he put all the prints on his desk and turned to the Inspector.
"Well, what do you make of it?" he demanded.
"It seems clear enough to me," Flamborough answered. "Look at the contents of that page as a whole. It’s as plain as one could wish. Silverdale and the Deepcar girl have had enough of waiting. Things can’t go on any longer in this way. They’ve been discussing various ways of getting rid of Mrs. Silverdale. ‘The plan we talked over last seems the best.’ That’s the final decision, evidently. Then you get a notion of what the plan was. Silverdale was going to prime Hassendean with information about hyoscine, and practically egg him on to drug Mrs. Silverdale so as to get her into his power. Then when the trap was ready, Silverdale and the Deepcar girl were to be on the alert to take advantage of the situation. And the last sentence makes it clear enough that they meant to go the length of murder and cover it up by making it look like a suicide-pact between young Hassendean and Mrs. Silverdale. That’s how I read it, sir."
Sir Clinton did not immediately endorse this opinion. Instead, he picked up the full copy of the manuscript page and studied it afresh as though searching for something in particular. At last he appeared to be satisfied; and he slid the photograph across the desk to the Inspector.
"I don’t wish to bias you, Inspector, so I won’t describe what I see myself. But will you examine the word ‘probably’ in that text and tell me if anything whatever about it strikes you as peculiar—anything whatever, remember."
Flamborough studied the place indicated, first with his naked eye and then with the magnifying glass.
"There’s no sign of any tampering with the paper that I can see, sir. The surface is intact and the ink lines run absolutely freely, without the halts and shakes one would expect in a forgery. The only thing I do notice is that the word looks just a trifle cramped."
"That’s what I wanted. Note that it’s in the middle of a line, Inspector. Now look at the word ‘shall’ in the fifth line from the bottom of the page."
"One might say it was a trifle cramped too," Flamborough admitted.
"And the ‘it’ in the third line from the foot?"
"It looks like the same thing."
Flamborough relapsed into silence and studied the photograph word by word while Sir Clinton waited patiently.
"The word ‘the’ in the phrase ‘about the use of hyoscine’ seems cramped too; and the ‘to’ at the start of the last line suffers in the same way. It’s so slight in all these cases that one wouldn’t notice it normally. I didn’t see it till you pointed it out. But if you’re going to suggest that there’s been any erasing and writing in fresh words to fit the blank space, I’ll have to disagree with you, sir. I simply don’t believe there’s been any thing of the sort."
"I shan’t differ from you over that," Sir Clinton assured him blandly. "Now let’s think of something else for a change. Did it never occur to you, Inspector, how much the English language depends on the relative positions of words? If I say: ‘It struck you,’ that means something quite different from: ‘You struck it.’ And yet each sentence contains exactly the same words."
"That’s plain enough," Flamborough admitted, "though I never thought of it in that way. And," he added in a dubious tone, "I don’t see what it’s got to do with the case, either."
"That’s a pity," Sir Clinton observed with a sympathy which hardly sounded genuine. "Suppose we think it over together. Where does one usually cramp words a trifle when one is writing?"
"At the end of a line," Flamborough suggested. "But these crampings seem to be all in the middle of the lines of that letter."
"That’s what seems to me interesting about them," Sir Clinton explained drily. "And somehow it seems to associate itself in my mind with the fact that Mr. Justice hasn’t supplied us with the original document, but has gone to all the trouble of taking photographs of it."
"I wondered at that, myself," the Inspector confessed. "It seems a bit futile, true enough."
"Try a fresh line, Inspector. We learned on fairly good authority that Mr. Justice took away a number of letters from Miss Deepcar’s house. And yet he only sends us a single page out of the lot. If the rest were important, why doesn’t he send them. If they aren’t important, why did he take them away?"
"He may be holding them up for use later on, sir."
Sir Clinton shook his head.
"My reading of the business is different. I think this is Mr. Justice’s last reserve. He’s throwing his last forces into the battle now."
