‘Aboard?’ Clifford repeated weakly. He looked around at the familiar furniture in the room, the curtains drawn neatly over the windows. ‘What are you raving about? Get out of my house!’

The Captain chuckled. ‘Your husband has a sense of humour, Mrs Gorrell. A useful asset on these long trips. Your friend Mr Harcourt in the next cabin seems sadly lacking in one.’

‘Tony?’ Margot exclaimed. ‘Is he still here?’

Captain Linstrom laughed. ‘I quite understand you. He seems very worried, quite over-eager to return to Mars. We shall be passing there one day, of course, though not I fear for some time. However, time is no longer a consideration to you. I believe you are to spend the entire voyage in sleep. But a very pleasantly coloured sleep nonetheless.’ He smiled roguishly at Margot.

As he reached the door Clifford managed to gasp out: ‘Where are we? For heaven’s sake, call the police!’

Captain Linstrom paused in surprise. ‘But surely you know, Mr Gorrell?’ He strode to the window and flung back the curtains. In place of the large square casement were three small portholes. Outside a blaze of incandescent light flashed by, a rush of stars and nebulae.

Captain Linstrom gestured theatrically. ‘This is the Dream of Osiris, under charter to Terminal Tours, three hours out from Zenith City on the non-stop run. May I wish you sweet dreams!’

1962<p>The Cage of Sand</p>

At sunset, when the vermilion glow reflected from the dunes along the horizon fitfully illuminated the white faces of the abandoned hotels, Bridgman stepped on to his balcony and looked out over the long stretches of cooling sand as the tides of purple shadow seeped across them. Slowly, extending their slender fingers through the shallow saddles and depressions, the shadows massed together like gigantic combs, a few phosphorescing spurs of obsidian isolated for a moment between the tines, and then finally coalesced and flooded in a solid wave across the half-submerged hotels. Behind the silent faades, in the tilting sand-filled streets which had once glittered with cocktail bars and restaurants, it was already night. Haloes of moonlight beaded the lamp-standards with silver dew, and draped the shuttered windows and slipping cornices like a frost of frozen gas.

As Bridgman watched, his lean bronzed arms propped against the rusting rail, the last whorls of light sank away into the cerise funnel withdrawing below the horizon, and the first wind stirred across the dead Martian sand. Here and there miniature cyclones whirled about a sandspur, drawing off swirling feathers of moon-washed spray, and a nimbus of white dust swept across the dunes and settled in the dips and hollows. Gradually the drifts accumulated, edging towards the former shoreline below the hotels. Already the first four floors had been inundated, and the sand now reached up to within two feet of Bridgman’s balcony. After the next sandstorm he would be forced yet again to move to the floor above.

‘Bridgman!’

The voice cleft the darkness like a spear. Fifty yards to his right, at the edge of the derelict sand-break he had once attempted to build below the hotel, a square stocky figure wearing a pair of frayed cotton shorts waved up at him. The moonlight etched the broad sinewy muscles of his chest, the powerful bowed legs sinking almost to their calves in the soft Martian sand. He was about forty-five years old, his thinning hair close-cropped so that he seemed almost bald. In his right hand he carried a large canvas hold-all.

Bridgman smiled to himself. Standing there patiently in the moonlight below the derelict hotel, Travis reminded him of some long-delayed tourist arriving at a ghost resort years after its extinction.

‘Bridgman, are you coming?’ When the latter still leaned on his balcony rail, Travis added: ‘The next conjunction is tomorrow.’

Bridgman shook his head, a rictus of annoyance twisting his mouth. He hated the bi-monthly conjunctions, when all seven of the derelict satellite capsules still orbiting the Earth crossed the sky together. Invariably on these nights he remained in his room, playing over the old memo-tapes he had salvaged from the submerged chalets and motels further along the beach (the hysterical ‘This is Mamie Goldberg, 62955 Cocoa Boulevard, I really wanna protest against this crazy evacuation…’ or resigned ‘Sam Snade here, the Pontiac convertible in the back garage belongs to anyone who can dig it out’). Travis and Louise Woodward always came to the hotel on the conjunction nights — it was the highest building in the resort, with an unrestricted view from horizon to horizon and would follow the seven converging stars as they pursued their endless courses around the globe. Both would be oblivious of everything else, which the wardens knew only too well, and they reserved their most careful searches of the sand-sea for these bimonthly occasions. Invariably Bridgman found himself forced to act as look-out for the other two.

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