The seven satellites drew nearer, and Bridgman glanced up at them cursorily. They were disposed in a distinctive but unusual pattern resembling the Greek letter x, a limp cross, a straight lateral member containing four capsules more or less in line ahead — Connolly, Tkachev, Merril and Maiakovski — bisected by three others forming with Tkachev an elongated Z — Pokrovski, Woodward and Brodisnek. The pattern had been variously identified as a hammer and sickle, an eagle, a swastika, and a dove, as well as a variety of religious and runic emblems, but all these were being defeated by the advancing tendency of the older capsules to vaporize.
It was this slow disintegration of the aluminium shells that made them visible — it had often been pointed out that the observer on the ground was looking, not at the actual capsule, but at a local field of vaporized aluminium and ionized hydrogen peroxide gas from the ruptured attitude jets now distributed within half a mile of each of the capsules. Woodward’s, the most recently in orbit, was a barely perceptible point of light. The hulks of the capsules, with their perfectly preserved human cargoes, were continually dissolving, and a wide fan of silver spray opened out in a phantom wake behind Merril and Pokrovski (1998 and 1999), like a double star transforming itself into a nova in the centre of a constellation. As the mass of the capsules diminished they sank into a closer orbit around the earth, would soon touch the denser layers of the atmosphere and plummet to the ground.
Bridgman watched the satellites as they moved towards him, his irritation with Travis forgotten. As always, he felt himself moved by the eerie but strangely serene spectacle of the ghostly convoy endlessly circling the dark sea of the midnight sky, the long-dead astronauts converging for the ten-thousandth time upon their brief rendezvous and then setting off upon their lonely flight-paths around the perimeter of the ionosphere, the tidal edge of the beachway into space which had reclaimed them.
How Louise Woodward could bear to look up at her husband he had never been able to understand. After her arrival he once invited her to the hotel, remarking that there was an excellent view of the beautiful sunsets, and she had snapped back bitterly: ‘Beautiful? Can you imagine what it’s like looking up at a sunset when your husband’s spinning through it in his coffin?’
This reaction had been a common one when the first astronauts had died after failing to make contact with the launching platforms in fixed orbit. When these new stars rose in the west an attempt had been made to shoot them down — there was the unsettling prospect of the skies a thousand years hence, littered with orbiting refuse — but later they were left in this natural graveyard, forming their own monument.
Obscured by the clouds of dust carried up into the air by the sand-storm, the satellites shone with little more than the intensity of second-magnitude stars, winking as the reflected light was interrupted by the lanes of strato-cirrus. The wake of diffusing light behind Merril and Pokrovski which usually screened the other capsules seemed to have diminished in size, and he could see both Maiakovski and Brodisnek clearly for the first time in several months. Wondering whether Merril or Pokrovski would be the first to fall from orbit, he looked towards the centre of the cross as it passed overhead.
With a sharp intake of breath, he tilted his head back. In surprise he noticed that one of the familiar points of light was missing from the centre of the group. What he had assumed to be an occlusion of the conjoint vapour trails by dust clouds was simply due to the fact that one of the capsules — Merril’s, he decided, the third of the line ahead — had fallen from its orbit.
Head raised, he sidestepped slowly across the roof, avoiding the pieces of rusting neon sign, following the convoy as it passed overhead and moved towards the eastern horizon. No longer overlaid by the wake of Merril’s capsule, Woodward’s shone with far greater clarity, and almost appeared to have taken the former’s place, although he was not due to fall from orbit for at least a century.
In the distance somewhere an engine growled. A moment later, from a different quarter, a woman’s voice cried out faintly. Bridgman moved to the rail, over the intervening roof-tops saw two figures silhouetted against the sky on the elevator head of an apartment block, then heard Louise Woodward call out again. She was pointing up at the sky with both hands, her long hair blown about her face, Travis trying to restrain her. Bridgman realized that she had misconstrued Merril’s descent, assuming that the fallen astronaut was her husband. He climbed on to the edge of the balcony, watching the pathetic tableau on the distant roof.
