Careful not to waken the woman sleeping above him beyond the cracked panes, he destroyed the nest. With his rifle butt he stove in the sides, then knocked a hole through the woven bottom. Then, happy that he had saved Catherine York from the nightmare of walking from her house the next morning and seeing the bird waiting to attack her from its perch on this stolen nest, Crispin set off through the gathering light and returned to the ship.
For the next two days, despite his vigil on the bridge, Crispin saw no more of the dove. Catherine York remained within the house, unaware of her escape. At night, Crispin would patrol her house. The changing weather, and the first taste of the winter to come, had unsettled the landscape, and during the day Crispin spent more time upon the bridge, uneager to look out on the marshes that surrounded the ship.
On the night of the storm, Crispin saw the bird again. All afternoon the dark clouds had come in from the sea along the river basin, and by evening the cliff beyond the house was hidden by the rain. Crispin was in the bridge-house, listening to the bulkheads groaning as the ship was driven farther into the mud by the wind.
Lightning flickered across the river, lighting the thousands of corpses in the meadows. Crispin leaned on the helm, gazing at the gaunt reflection of himself in the darkened glass, when a huge white face, beaked like his own, swam into his image. As he stared at this apparition, a pair of immense white wings seemed to unfurl themselves from his shoulders. Then this lost dove, illuminated in a flicker of lightning, rose into the gusting wind around the mast, its wings weaving themselves among the steel cables.
It was still hovering there, trying to find shelter from the rain, when Crispin stepped on to the deck and shot it through the heart.
At first light Crispin left the bridge-house and climbed on to the roof. The dead bird hung, its wings outstretched, in a clutter of steel coils beside the lookout’s nest. Its mournful face gaped down at Crispin, its expression barely changed since it loomed out of his own reflection at the height of the storm. Now, as the flat wind faded across the water, Crispin watched the house below the cliff. Against the dark vegetation of the meadows and marshes the bird hung like a white cross, and he waited for Catherine York to come to a window, afraid that a sudden gust might topple the dove to the deck.
When Quimby arrived in his coracle two hours later, eager to see the bird, Crispin sent him up the mast to secure the dove to the cross-tree. Dancing about beneath the bird, the dwarf seemed mesmerized by Crispin, doing whatever the latter told him.
‘Fire a shot at her, Crisp!’ he exhorted Crispin, who stood disconsolately by the rail. ‘Over the house, that’ll bring her out!’
‘Do you think so?’ Crispin raised the rifle, ejecting the cartridge whose bullet had destroyed the bird. He watched the bright shell tumble down into the feathery water below. ‘I don’t know… it might frighten her. I’ll go over there.’
‘That’s the way, Crisp…’ The dwarf scuttled about. ‘Bring her back here — I’ll tidy it up for you.’
‘Maybe I will.’
As he berthed the launch on the beach Crispin looked back at the picket ship, reassuring himself that the dead dove was clearly visible in the distance. In the morning sunlight the plumage shone like snow against the rusting masts.
When he neared the house he saw Catherine York standing in the doorway, her wind-blown hair hiding her face, watching him approach with stern eyes.
He was ten yards from her when she stepped into the house and half closed the door. Crispin began to run, and she leaned out and shouted angrily: ‘Go away! Go back to the ship and those dead birds you love so much!’
‘Miss Catherine…’ Crispin stammered to a halt by the door. ‘I saved you… Mrs York!’
‘Saved? Save the birds, captain!’
Crispin tried to speak, but she slammed the door. He walked back through the meadow and punted across the river to the picket ship, unaware of Quimby’s insane moon eyes staring down at him from the rail.
‘Crisp… What’s the matter?’ For once the dwarf was gentle. ‘What happened?’
Crispin shook his head. He gazed up at the dead bird, struggling to find some solution to the woman’s last retort. ‘Quimby,’ he said in a quiet voice to the dwarf, ‘Quimby, she thinks she’s a bird.’
During the next week this conviction grew in Crispin’s bewildered mind, as did his obsession with the dead bird. Looming over him like an immense murdered angel, the dove’s eyes seemed to follow him about the ship, reminding him of when it had first appeared, almost from within his own face, in the mirror-glass of the bridgehouse.
It was this sense of identity with the bird that was to spur Crispin to his final stratagem.
