He followed Buckmaster into the interior of the memorial, uneasily aware that this cathedral of rust might collapse at any time. At the far end of the nave the semi-circle of internal walls had been transformed into a lavish botanical garden. Terrace upon terrace of climbing plants hung from the chassis of the cars, brilliant flowers bloomed in the windows and wheel-wells. The golden bells of forsythia trailed from the windows of grand limousines a hundred feet in the air, the white mist of mile-a-minute vines hovered like steam above the radiator grilles and exhaust pipes.
Apparently unaware that this cascade of blossoms was already transforming his monument into a far more bizarre structure than he had visualized, Buckmaster began to point out various details of the construction. But Halloway was more interested in the hanging garden. A young woman was working at the flowers, taking nasturtium and petunia seedlings from a series of trays and planting them in the doors and windows. As she moved about, climbing up and down a high ladder, Halloway had difficulty in guessing her age. At Garden City the emancipated women wore simple home-woven smocks and jerkins indistinguishable from the men’s. With undressed hair and devoid of make-up, their sexual roles were always explicit, desire worn casually on their sleeves.
By contrast, this young woman — his daughter Miranda, Buckmaster informed him — was dressed like the heroine of a lavishly costumed period musical. Everything about her, from her extravagant copper-tinted hair in a Pre-Raphaelite cut to her long white neck and embroidered art-nouveau gown, was calculated for concealment and effect, artifice and allure. Later, Halloway discovered that she changed her appearance every day, moving through the deserted boutiques and fashion-houses of the city, modelling herself on the vanished styles of the Twentieth Century. On one day she would appear in a cream cloche hat and Gatsby gown, on another in a lurex blouse, bobby sox and teenager’s flared tartan skirt.
Buckmaster introduced Halloway to her. ‘Miranda, a new recruit — Mr Halloway, an aviator from Garden City. Any more like him and I may have to think again about opening my design office.’
As the old man wandered around, nodding at the profusion of flowers, Halloway searched for something to say. In his yellow trousers and multi-coloured sneakers he was as much in costume as Buckmaster’s daughter, but he felt gauche and clumsy beside her. Although she was his own age, there was something naive, and at the same time knowing and sophisticated, about Miranda. He guessed that he was the first young man of eighteen she had met, but that she had done a great deal of thinking about the subject and for all her shyness was well prepared to deal with him on her own terms.
‘We watched you driving around,’ she told him matter-of-factly and without any rancour. ‘Killing all those flowers in a way it must have been fun.’
‘Well…’ Lamely, Halloway tried to apologize. He helped her down the ladder, relieved when she was on his own level. There was something unsettling about the way she had looked down at him, surrounded by the vine-infested cars. ‘I didn’t realize that they were yours. I’ll help you to plant them again — they’ll soon grow.’
‘I know.’ She strolled around him, picking the petals from his shirt, as if removing spots of blood. ‘Sometimes I feel like the daughter of some great magician — wherever I touch, a flower springs up.’
Halloway brushed away the last of the petals. His difficulty in talking to her stemmed partly from her ambiguity, the naively teasing sexual come-on, but more from his own inexperience. In Garden City the relations between young people were governed by the most enlightened rules, derived from the teachings of Malinowski, Margaret Mead and the anthropologists who had followed them. From the age of sixteen, in the approved Polynesian style, young people of both sexes lived together openly in the ‘long house’ dormitories set aside for them until they later chose their marriage partner. Halloway had opted out of this, for reasons he had never understood, so committing himself to the company of his grandparents on one side and the younger teenagers on the other. He had never regretted the decision — there was something far too amiable, far too bovine and uncritical, about the hand-holding tenants of the long house.
Now, as he watched Miranda admiring his coloured sneakers, swirling her embroidered dress around him, he was certain that he was right. That ambiguity she showed, that moody combination of challenge and allure, was exactly what the city was about.
‘I saw your glider yesterday,’ Miranda told him. ‘Crossing the Sound. It was like part of a dream, miles away across the water. Now suddenly you’re here, in your miracle shoes.’
‘I dream about powered flight,’ Halloway told her with some pride. ‘Olds and I are rebuilding the glider. When it’s ready we’ll put an engine on it.’
