The reports of Matthew Young at prayer reminded me of Governor Henson’s description of the prisoner seen on his knees in that illusionist chapel he had constructed at Daventry. There is an eerie contrast between the vast revivalist rally being televised at this moment from the Parc des Princes in Paris, dominated by the spotlit figure of the former astronaut, and the darkened nave of the Abbey where an escaped mental patient prayed over a stolen space-suit smeared with his own blood. The image of outer space, from which Col. Stamford draws so much of his religious inspiration, for Matthew Young seems identified with some unspecified evil, with the worship of a false messiah. His prayers in the Daventry chapel, as he knelt before the illusion of an altar, were a series of postural codes, a contortionist’s attempt to free himself from Col. Stamford’s sinister embrace.
I read once again the testimony collected by the Special Branch: Margaret Downs, systems analyst, Wang Computers: ‘He was always praying, forever on his confounded knees. He even made me take a video of him, and studied it for hours. It was just too much…’
Doreen Jessel, health gym instructress: ‘At first I thought he was heavily into anaerobics. Some kind of dynamic meditation, he called it, all acrobatic contortions. I tried to get him to see a physiotherapist…’
John Hatton, probation officer: ‘There was a therapeutic aspect, of which he convinced me against my better judgement. The contortions seemed to mimic his epilepsy..
Reverend Morgan Evans, Samaritans: ‘He accepted Robert Graves’s notion of the club-footed messiah — that peculiar stepped gait common to various forms of religious dance and to all myths involving the Achilles tendon. He told me that it was based on the crabbed moon-walk adopted by the astronauts to cope with zero gravity..
Sergeant J. Mellors, RAF Regiment: ‘The position was that of a kneeling marksman required to get off a series of shots with a bolt-action rifle, such as the Lee-Enfield or the Mannlicher-Carcano. I banned him from the firing range..
Was Matthew Young dismantling and reassembling the elements of his own mind as if they were the constituents of an Ames Room? The pilot of the Home Office helicopter spoke graphically of the spatial disorientation felt by some of the special category prisoners being moved on the Daventry shuttle, in particular the cries and contortions of a Palestinian hijacker who imagined he was a dying astronaut. Defects of the vestibular apparatus of the ear are commonly found in hijackers (as in some shamans), the same sense of spatial disorientation that can be induced in astronauts by the high-speed turntable or the zero gravity of orbital flights.
It may be, therefore, that defects of the vestibular apparatus draw their sufferers towards high-speed aircraft, and the hijack is an unconscious attempt to cure this organic affliction. Prayer, vestibular defects, hijacking — watching Col. Stamford in the Parc des Princes, I notice that he sometimes stumbles as he bows over his lectern, his hands clasped in prayer in that characteristic spasm so familiar from the newsreels and now even mimicked by TV comedians.
Is Col. Stamford trying to hijack the world?
28 March 1988. Events are moving on apace. Colonel Thomas Jefferson Stamford has arrived in London, after completing his triumphal tour of the non-communist world. He has conferred with generals and right-wing churchmen, and calmed battlefields from the Golan Heights to the western Sahara. As always, he urges the combatants to join forces against the real enemy, pushing an anti-Soviet, church-militant line that makes the CIA look like the Red Cross. Television and newspapers show him mingling with heads of state and retired premiers, with Kohl, Thatcher and Mitterrand, with Scandinavian royals and the British monarch.
Throughout, Col. Stamford’s earlier career as an astronaut is never forgotten. At his rallies in the Parc des Princes and Munich’s Olympic Stadium these great arenas are transformed into what seems to be the interior of a gigantic star-ship. By the cunning use of a circular film screen, Col. Stamford’s arrival at the podium is presented as a landing from outer space, to deafening extracts from Thus Spake Zarathustra and Holst’s Planets. With its illusionist back-projection and trick lighting the rally becomes a huge Ames Room, a potent mix of evangelical Christianity, astronautics and cybernetic movie-making. We are in the presence of an Intelsat messiah, a mana-personality for the age of cable TV.
