It was also the earliest example of a truly modern war – fought with new industrial technologies, modern rifles, steamships and railways, novel forms of logistics and communication like the telegraph, important innovations in military medicine, and war reporters and photographers directly on the scene. Yet at the same time it was the last war to be conducted by the old codes of chivalry, with ‘parliamentaries’ and truces in the fighting to clear the dead and wounded from the killing fields. The early battles in the Crimea, on the River Alma and at Balaklava, where the famous Charge of the Light Brigade took place, were not so very different from the sort of fighting that went on during the Napoleonic Wars. Yet the siege of Sevastopol, the longest and most crucial phase of the Crimean War, was a precursor of the industrialized trench warfare of 1914–18. During the eleven and a half months of the siege, 120 kilometres of trenches were dug by the Russians, the British and the French; 150 million gunshots and 5 million bombs and shells of various calibre were exchanged between the two sides.3
The name of the Crimean War does not reflect its global scale and huge significance for Europe, Russia and that area of the world – stretching from the Balkans to Jerusalem, from Constantinople to the Caucasus – that came to be defined by the Eastern Question, the great international problem posed by the disintegration of the Ottoman Empire. Perhaps it would be better to adopt the Russian name for the Crimean War, the ‘Eastern War’ (
The war began in 1853 between Ottoman and Russian forces in the Danubian principalities of Moldavia and Wallachia, the territory of today’s Romania, and spread to the Caucasus, where the Turks and the British encouraged and supported the struggle of the Muslim tribes against Russia, and from there to other areas of the Black Sea. By 1854, with the intervention of the British and the French on Turkey’s side and the Austrians threatening to join this anti-Russian alliance, the Tsar withdrew his forces from the principalities, and the fighting shifted to the Crimea. But there were several other theatres of the war in 1854–5: in the Baltic Sea, where the Royal Navy planned to attack St Petersburg, the Russian capital; on the White Sea, where it bombarded the Solovetsky Monastery in July 1854; and even on the Pacific coastline of Siberia.
The global scale of the fighting was matched by the diversity of people it involved. Readers will find here a broad canvas populated less than they might have hoped (or feared) by military types and more by kings and queens, princes, courtiers, diplomats, religious leaders, Polish and Hungarian revolutionaries, doctors, nurses, journalists, artists and photographers, pamphleteers and writers, none more central to the story from the Russian perspective than Leo Tolstoy, who served as an officer on three different fronts of the Crimean War (the Caucasus, the Danube and the Crimea). Above all, through their own words in letters and memoirs, the reader will find here the viewpoint of the serving officers and ordinary troops, from the British ‘Tommy’ to the French-Algerian Zouaves and the Russian serf soldiers.
