The effect of the war in Britain was matched only by its impact in Russia, where the events played a significant role in shaping the national identity. But that role was contradictory. The war was of course experienced as a terrible humiliation, inflaming profound feelings of resentment against the West for siding with the Turks. But it also fuelled a sense of national pride in the defenders of Sevastopol, a feeling that the sacrifices they made and the Christian motives for which they had fought had turned their defeat into a moral victory. The idea was articulated by the Tsar in his Manifesto to the Russians on learning of the fall of Sevastopol:

The defence of Sevastopol is unprecedented in the annals of military history, and it has won the admiration not just of Russia but of all Europe. The defenders are worthy of their place among those heroes who have brought glory to our Fatherland. For eleven months the Sevastopol garrison withstood the attacks of a stronger enemy against our native land, and in every act it distinguished itself through its extraordinary bravery … Its courageous deeds will always be an inspiration to our troops, who share its belief in Providence and in the holiness of Russia’s cause. The name of Sevastopol, which has given so much blood, will be eternal, and the memory of its defenders will remain always in our hearts together with the memory of those Russian heroes who fought on the battlefields of Poltava and Borodino.23

The heroic status of Sevastopol owed much to the influence of Tolstoy’s Sevastopol Sketches, which were read by almost the entire Russian literate public in 1855–6. Sevastopol Sketches fixed in the national imagination the idea of the city as a microcosm of that special ‘Russian’ spirit of resilience and courage which had always saved the country when it was invaded by a foreign enemy. As Tolstoy wrote in the closing passage of ‘Sevastopol in December’, composed in April 1855, at the height of the siege:

So now you have seen the defenders of Sevastopol on the lines of defence themselves, and you retrace your steps, for some reason paying no attention now to the cannonballs and bullets that continue to whistle across your route all the way back to the demolished theatre [i.e. the city of Sevastopol], and you walk in a state of calm exaltation. The one central, reassuring conviction you have come away with is that it is quite impossible for Sevastopol ever to be taken by the enemy. Not only that: you are convinced that the strength of the Russian people cannot possibly ever falter, no matter in what part of the world it may be put to the test. This impossibility you have observed, not in that proliferation of traverses, parapets, ingeniously interwoven trenches, mines and artillery pieces of which you have understood nothing, but in the eyes, words and behaviour – that which is called the spirit – of the defenders of Sevastopol. What they do, they do so straightforwardly, with so little strain or effort, that you are convinced they must be capable of a hundred times as much … they could do anything. You realize now that the feeling which drives them has nothing in common with the vain, petty and mindless emotions you yourself have experienced, but is of an altogether different and more powerful nature; it has turned them into men capable of living with as much calm beneath a hail of cannonballs, faced with a hundred chances of death, as people who, like most of us, are faced with only one such chance, and of living in those conditions while putting up with sleeplessness, dirt and ceaseless hard labour. Men will not put up with terrible conditions like these for the sake of a cross or an honour, or because they have been threatened: there must be another, higher motivation. This motivation is a feeling that surfaces only rarely in the Russian, but lies deeply embedded in his soul – a love of his native land. Only now do the stories of the early days of the siege of Sevastopol, when there were no fortifications, no troops, when there was no physical possibility of holding the town and there was nevertheless not the slightest doubt that it would be kept from the enemy – of the days when Kornilov, that hero worthy of ancient Greece, would say as he inspected his troops: ‘We will die, men, rather than surrender Sevastopol,’ and when our Russian soldiers, unversed in phrase-mongering, would answer: ‘We will die! Hurrah!’ – only now do the stories of those days cease to be a beautiful historic legend and become a reality, a fact. You will suddenly have a clear and vivid awareness that those men you have just seen are the very same heroes who in those difficult days did not allow their spirits to sink but rather felt them rise as they joyfully prepared to die, not for the town but for their native land. Long will Russia bear the imposing traces of this epic of Sevastopol, the hero of which was the Russian people.24

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