‘The amputations on the first two victims were very clean,’ Brindle said. ‘These weren’t. Judging by the pattern on the skin, and the little we can tell from examining the bones in these conditions, the amputation incisions were performed brutally, in a hacking manner. The ones to both arms . . .’ He paused and ran his gloved hand over his nose and mouth. ‘It looks like he cut them almost all the way through, lost patience, and then simply ripped them off the body.’

Garcia’s eyes widened a touch.

‘I have no doubt the victim was already dead by then,’ Doctor Hove added.

Hunter’s gaze refocused on the floor and the several footprints. They were mainly by the door. ‘Has anything been touched?’

Doctor Hove gave him a timid shrug. ‘LAPD has tried to track down every curious office worker in this building who decided to have a peek at this. So far, they’ve all said they haven’t touched anything, and neither have the detectives and officers who have been in here; but it’s hard to tell.’ She faced the sculpture again. ‘We don’t really know what this is supposed to be, or look like. We can’t tell if anything has been moved out of place since it was constructed.’ The expectancy in her tone didn’t go unnoticed by Hunter. ‘I haven’t used a flashlight,’ she continued. ‘That’s your show.’

Garcia looked at Hunter as if to ask, How do you want to play it?

Hunter knew they couldn’t move the sculpture from that desk without disturbing it. As he had told Alice, the killer had been very meticulous about the first sculpture, but less so about the second one. He had no idea what the killer was aiming for with this third one, and something was telling him they were running out of time – fast. They couldn’t wait for the forensics lab to create another replica. ‘Do we have a flashlight?’ he asked.

‘Right here,’ Brindle said, handing him a medium-sized Maglite.

‘Let’s have a look,’ Hunter replied, taking the flashlight. He looked back at what remained of Littlewood’s body on the chair. In the second crime scene, the victim’s decapitated head had been placed in the exact location where the killer wanted the beam of light to be shone from, so that his work could be seen as he intended. One of Littlewood’s eyes was missing, but the remaining one was looking straight at the sculpture. That had to be a hint. Hunter checked the floor again.

‘Has all this been photographed, Doc?’ There was no way he could assume the same position as Littlewood’s one-eyed gaze without stepping on some blood, and maybe rolling the chair with the body a little out of the way.

Doctor Hove didn’t have to ask. She had followed Hunter’s stare and knew what was on his mind. ‘Yes, it’s all OK,’ she replied.

The window shades were already drawn shut. Brindle killed the strong forensic power lights while Hunter positioned himself directly in front of the body, being careful to level the flashlight with Littlewood’s line of sight.

Everyone seemed to take in a deep breath at the same time.

Hunter steadied himself and turned the flashlight on.

Seventy-Eight

Everyone had moved over to where Hunter was standing. Garcia was to his right, Doctor Hove and Brindle to his left. All eyes were on the images projected onto the wall behind the sculpture. Brindle shifted nervously on his feet.

‘This is freaky,’ he whispered weakly. When Doctor Hove had told him about the shadow images cast by the sculptures, he’d imagined something very creepy; but being there and seeing it with his own eyes was a whole new ball game. It had been a long time since he’d felt that uncomfortable at a crime scene.

Instinctively everyone squinted at the images, but no one had to ask. These were the clearest images so far – no animals, no horned creatures.

Littlewood’s ‘walking fingers’ of the left hand projected an image that looked just like a person standing up. The thumb that had been pushed a little forward created an arm. The dislocated knuckle at the top created a head shape. The combined image was that of a person either walking or standing still and pointing at something in front of him or her. The opened book-box projected a shadow that looked like some sort of large container with its lid open.

Depth is imperceptible in shadow images, so the open book-box, three feet away from the hand, seemed to be directly leveled with it. The composition looked like someone standing in front of a large container, pointing at it.

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