He found the modern house which his friend had exchanged for the old Designori townhouse presided over by a stately, highly intelligent, and reserved lady. She, however, was dominated by her handsome, cheeky, and rather ill-behaved son who seemed to be the center of everything here and who had apparently taken over from his mother a supercilious and rather insulting attitude toward his father.
Initially rather cool and suspicious of everything Castalian, both mother and son soon came under the spell of the Magister, whose office gave him, in their eyes, an almost mythical aura of mystery and consecration. Nevertheless, the atmosphere during this first visit was stiff and forced. Knecht remained rather quiet, observing and awaiting events. The lady of the house received him with formal politeness and inner distaste, as if he were a high officer of some enemy army being quartered on her. Tito, the son, was the least constrained of the three; probably he had often enough looked on in amusement on similar situations. No doubt he had also profited by them. His father seemed to be only playing the part of master of the house. Between him and his wife the prevailing tone was one of gentle, cautious, rather anxious politeness, as if each of them were walking on tiptoe. This tone was maintained far more easily and naturally by the wife than by her husband. As for the son, Plinio was always making overtures of comradeship to the boy which were at times taken up for selfish reasons, at other times impudently rebuffed.
In short, the three lived together in a sultry atmosphere of effort, guiltiness, and sternly repressed impulses, filled with fear of friction and eruptions, in a state of perpetual tension. The style of behavior and speech, like the style of the whole house, was a little too careful and deliberate, as though a solid wall had to be built against eventual breaches and assaults. Knecht also noted that a great deal of Plinio’s regained serenity had vanished from his face again. Though in Waldzell or in the guest house of the Order in Hirsland he was by now almost free of gloom, in his own house he still stood in the shadows, and provoked as much criticism as pity.
The house was a fine one. It bespoke wealth and luxurious tastes. In each room the furnishings were of the right proportions for the space; each was tuned to a pleasant harmony of two or three colors, with here and there a valuable work of art. Knecht looked about him with pleasure; but in the end all these delights to the eye struck him as a shade too handsome, too perfect, and too well thought out. There was no sense of growth, of movement, of renewal. He sensed that this beauty of the house and its belongings was also meant as a land of spell, a defensive gesture, and that these rooms, pictures, vases, and flowers enclosed and accompanied a life of vain longing for harmony and beauty which could be attained only in the form of tending such well-co-ordinated surroundings.
It was in the period after this visit, with its somewhat unedifying impressions, that Knecht sent a meditation teacher to his friend’s home. After having spent a single day in the curiously taut and charged atmosphere of this house, the Magister understood much that he had not wished to know but needed to learn for his friend’s sake. Nor was this first visit the last. He came again, several times, and on some of these occasions the talk turned to education and the difficulties with young Tito. In these conversations Tito’s mother took a lively part. The Magister gradually won the confidence and liking of this highly intelligent and skeptical woman. Once, when he said half jokingly that it was a pity her boy had not been sent to Castalia early, while there was still time for him to be educated there, she took the remark seriously as if it were a reproof, and came to her own defense. She doubted, she said, whether Tito would have been admitted; he was gifted enough, certainly, but hard to handle, and she would never have wished to impose her own ideas on the boy. After all, a similar attempt in the case of his father had not worked out well. Besides, neither she nor her husband had ever thought to claim the old Designori family privilege for their son, since they had broken with Plinio’s father and the whole tradition of the ancient house. Finally, she added, with a painful smile, that in any case she would not have been able to part with her child, since he was all that made her life worth living.
