Robert Putney Drake said, "Yes, but wouldn't you
Hagbard had said nothing about that, but George was too worried about his own survival to quibble. "Yes," he said. "There are more."
Drake said, "Whether we want to risk our lives by working with your people will depend on what we find when we examine the
"I consider myself an American," said Jung. "Though my family knows a thing or two about Tibet that might surprise you."
"I'm sure," said Drake. "Well, you shall advise, as you are able. But the Sicilian heritage goes back thousands of years before Rome, as does their knowledge of Atlantis. There were a few things washed up on the shores of North Africa, a few things found by divers. It was enough to establish a tradition. If there were a museum of Atlantean arts, Don Federico is one of the few people in the world qualified to be a curator."
"In other words," said Maldonado with a ghastly smile, "those statues better be authentic, kid. Because I will know if they are not."
"They are," said George. "I saw them picked up off the ocean bottom myself."
"That's impossible," said Jung.
"Let's look," said Drake.
He stood up and placed the palm of his hand flat against an oak panel which immediately slid to one side, revealing a winding metal staircase. Drake leading the way, the four of them descended what seemed to George five stories to a door with a combination lock. Drake opened the door and they passed through a series of other chambers, ending up in a large underground garage. The Gold amp; Appel truck was there and beside it the four statues, freed of their crates. There was no one in the room.
"Where did everybody go?" said Jung.
"They're Sicilians," said Drake. "They saw these and were afraid. They did the job of uncrating them and left." His face and Maldonado's wore a look of awe. Jung's craggy features bore an irritated, puzzled frown.
"I'm beginning to feel that I've been left out of a lot," he said.
"Later," said Maldonado. He took a small jeweler's glass out of his pocket and approached the nearest statue. "This is where they got the idea for the great god Pan," he said. "But you can see the idea was more complicated twenty thousand years ago than two thousand." Fixing the jeweler's glass in his eye, he began a careful inspection of a glittering hoof.
At the end of an hour, Maldonado, with the help of a ladder, had gone over each of the four statues from bottom to top with fanatical care and had questioned George about the manner of their seizure as well as what little he knew of their history. He put his jeweler's glass away, turned to Drake and nodded.
"You got the four most valuable pieces of art in the world."
Drake nodded. "I surmised as much. Worth more than all the gold in all the Spanish treasure ships there ever were."
"If I have not been dosed with a hallucinogenic drug," said Richard Jung, "I gather you are all saying these statues come from Atlantis. I'll take your word for it that they're solid gold, and that means there's a lot of gold there."
"The value of the matter is not worth one one ten-thousandth the value of the form," said Drake.
"That I don't see," said Jung. "What is the value of Atlantean art if no reputable authority anywhere in the world believes in Atlantis?"
Maldonado smiled. "There are a few people in the world who know that Atlantis existed, and who know there is such a thing as Atlantean art. And believe me, Richard, those few got enough money to make it worth anyone's while who has a piece from the bottom of the sea. Any one of these statues could buy a middle-sized country."