Seabrook discusses Crowley, Machen, etc. in his "Witchcraft," 1940.
Seabrook's "suicide," 1942.
Emphasize: Bierce describes Oedipus Complex in "Death of Halpin Frazer," BEFORE Freud, and relativity in "Inhabitant of Carcosa," BEFORE Einstein. Lovecraft's ambiguous descriptions of Azathoth as "blind idiot-god," "Demon-Sultan" and "nuclear chaos" circa 1930: fifteen years before Hiroshima.
Direct drug references in Chambers' "King in Yellow," Machen's 'White Powder," Lovecraffs "Beyond the Wall of Sleep" and "Mountains of Madness."
The appetites of the Lloigor or Old Ones in Bierce's "Damned Thing." Machen's "Black Stone," Love-craft (constantly.)
Atlantis known as Thule both in German and Panama Indian lore, and of course, "coincidence" again the accepted explanation. Opening sentence for article: "The more frequently one uses the word 'coincidence' to explain bizarre happenings, the more obvious it becomes that one is not seeking, but evading, the real explanation." Or, shorter: "The belief in coincidence is the prevalent superstition of the Age of Science."
The detective then spent an afternoon at Miskatonic library, browsing through the writings of Ambrose Bierce, J-K Huysmans, Arthur Machen, Robert W. Chambers, and H. P. Lovecraft. He found that all repeated certain key words; dealt with lost continents or lost cities; described superhuman beings trying to misuse or victimize mankind in some unspecified manner; suggested that there was a cult, or group of cults, among mankind who served these beings; and described certain books (usually not giving their titles: Lovecraft was an exception) that reveal the secrets of these beings. With a little further research, he found that the occult and Satanist circles in Paris in the 1880s had influenced the fiction of both Huysmans and Machen, as well as the career of the egregious Aleistair Crowley, and that Seabrook (who knew Crowley) hinted at more than he stated outright in his book on Witchcraft, published two years before his suicide. He then wrote a little table:
Huysmans-hysteria, complaints about occult attacks, final seclusion in a monastery.
Chambers-abandons such subjects, turns to light romantic fiction.
Bierce-disappears mysteriously. Lovecraft-dead at an early age. Crowley-hounded into silence and obscurity. Machen-becomes a devout Catholic. (Huysmans' escape?) Seabrook-alleged suicide.
The detective then went back and reread, not skimming this time, the stories by these writers in which drugs were specifically mentioned, according to Marsh's notes. He now had a hypothesis: the old man had been lured into a drug cult, as had these writers, and had been terrified by his own hallucinations, finally ending his own life to escape the phantoms his own narcotic-fogged brain had created. It was a good enough theory to start with, and the detective conscientiously set about interviewing every friend on campus of old Marsh, leading into the subject of grass and LSD very slowly and indirectly. He made no headway and was beginning to lose his conviction when good fortune struck, in the form of a remark by another anthropology professor about Marsh's preoccupation in recent years with
"A very interesting fungus,
The detective now concentrated on finding somebody- anybody- who had actually seen old Marsh when he was stoned out of his gourd. The testimony finally came from a young black student named Pearson, who was majoring in anthropology and minoring in music. "Excited and euphoric? Yeah," he said thoughtfully. "I saw old Joshua that way once. It was in the library of all places- that's where my girl works- and the old man jumped up from a table grinning about a yard wide and said out loud, but talking to himself, you know, 'I saw them- I saw the fnords!' Then he ran out like Jesse Owens going to get his ashes hauled. I was curious and went over to peek at what he'd been reading. It was the