And never once did I really make contact, never once did I smash the walls… The wind and the rain were now deafening outside… Fourteen billion dollars, thirteen billion illegal and tax-free; more than Getty or Hunt, even if I could never publicize the fact. And that Arab boy in Tangier who picked my pocket after he blew me, my mother's perfume, hours and hours in Zurich puzzling over the Dutchman's words.

Outside Flegenheimer's livery stable in the Bronx, Phil Silverberg is teasing young Arthur Flegenheimer in 1913, holding the burglar's tools out of reach, asking mockingly, "Do you really think you're big enough to knock over a house on your own?" In the Newark hospital, the Dutchman cries angrily, "Now listen, Phil, fun is fun." The seventeen Illuminati representatives vanished in the dark; the one with the goat's head suddenly returned. "What happened to the other sixteen?" Dutch asked the hospital walls. The blood from his arm signed the parchment. "Oh, he done it. Please," he asked vaguely. Sergeant Conlon looks bemusedly at the stenographer, Lang. The lightning seemed dark, and the darkness seemed light. It's taking hold of my mind completely, Drake thought, sitting by the window.

I will hold onto my sanity, Drake swore silently. What was that rock song about Jesus I was remembering?

"Only five inches between me and happiness," was it? No, that's from Deep Throat. The whiteness of the whale.

The waves covered his vision again: wrong song, obviously. I have to reach him, to unify the forces. No, dammit, that's not my thought. That's his thought. He's coming up, up out of the waves. I must rise. I must rise. To unify the forces.

Dillinger said, "You're right, Dutch. Fuck the Illuminati. Fuck the Maf. The Justified Ancients of Mummu would be glad to have you." The Dutchman looked right into Sergeant Conlon's eyes and asked, "John, please, oh, did you buy the whole tale? You promised a million, sure. Get out, I wished I knew.

Please make it quick. Fast and furious. Please. Fast and furious. Please help me get out."

I should have gotten out in '42, when I first learned about the camps, Drake thought. I never realized until then that they really meant to do it. And next Hiroshima. Why did I stay after Hiroshima? It was so obvious, it was just the way Lovecraft wrote, the idiot God Chaos blew earth's dust away, and back in '35 I knew the secret: if a cheap hoodlum like Dutch Schultz had a great poet buried in him, what might be released if any man looked the old whore Death in the eye? Say that I betrayed my country and my planet, but worse, add that I betrayed Robert Putney Drake, the giant of psychology I murdered when I used the secret for power and not for healing.

I see the plumbers, the cesspool cleaners, the colorless all-color of atheism. I am the Fate's lieutenant: I act under ardors. White, White void. Ahab's eye. Five inches from happiness, the Law of Fives, always. Ahab schlurped down, down.

"This Bavarian stuff is all bullshit," Dillinger said. "They're mostly Englishmen, since Rhodes took command in 1888. And they've already infiltrated Justice, State and Labor, as well as the Treasury. That's who you're playing ball with. And let me tell you what they plan to do with your people, the Jews, in this war they're cooking up."

"Listen," the Dutchman interrupted. "Capone would have a bullet in me if he knew I was even talking to you, John."

"Are you afraid of Capone? He arranged to have the Feds put a bullet in me at the Biograph and I'm still sassy and lively as ever."

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