"Yes and no." Stella looked past Harry and George, into the distance. "He wasn't acting with you, he was manifesting. The mercilessness was quite real. There was no sentimentality involved in saving you. He did it because it's part of his Demonstration."

"His Demonstration?" George asked, thinking of geometry problems and the neat Q.E.D. at the bottom, back in Nutley years and years ago.

"I've known Hagbard longer than she has," Eichmann said. "In fact, Galley and I were among the first people he enlisted. I've watched him over the years, and I still don't understand him. But I understand the Demonstration."

"You know," George said absently, "when you two first came in, I thought you were a hallucination."

"You never saw us at dinner, because we work in the kitchen," Galley explained. "We eat after everybody else."

"Only a small part of the crew are former criminals," Stella told George, who was looking confused. "Rehabilitating a Harry Coin- pardon me, Harry- doesn't really excite Hagbard much. Rehabilitating policemen and politicians, and teaching them useful trades, is work that really turns Hagbard on."

"But not for sentimental reasons," Eichmann emphasized. "It's part of his Demonstration."

"It's his Memorial to the Mohawk Nation, too," Stella said. "That trial set him off. He tried a direct frontal assault that time, attempting to cut through the logogram with a scalpel. It didn't work, of course; it never does. Then he decided: 'Very well, I'll put them where words can't help, and see what they do then.' That's his Demonstration."

Hagbard, actually- well, not actually; this is just what he told me- had started with two handicaps, intending to prove that they weren't handicaps. The first was that he would have a bank balance of exactly $00.00 at the beginning, and the second was that he would never kill another human being throughout the Demonstration. That which was to be proved (namely, that government is a hallucination, or a self-fulfilling prophecy) could be shown only if all his equipment, including money and people, came to him through honest trade or voluntary association. Under these rules, he could not shoot even in self-defense, for the biogram of government servants was to be preserved, and only their logograms could be disconnected, deactivated and defused. The Celine System was a consistent, although flexible, assault on the specific conditioned reflex- that which compelled people to look outside themselves, to a god or a government, for direction or strength. The servants of government all carried weapons; Hagbard's insane scheme depended on rendering the weapons harmless. He called this the Tar-Baby Principle ("You Are Attached To What You Attack").

Being a man of certain morbid self-insight, he realized that he himself exemplified the Tar-Baby Principle and that his attacks on government kept him perpetually attached to it. It was his malign and insidious notion that government was even more attached to him; that his existence qua anarchist qua smuggler qua outlaw aroused greater energetic streaming in government people than their existence aroused in him: that, in short, he was the Tar Baby on which they could not resist hurling themselves in anger and fear: an electrochemical reaction in which he could bond them to himself just as the Tar Baby captured anyone who swung a fist at it.

More (there was always more, with Hagbard), he had been impressed, on reading Weishaupt's Uber Strip Schnipp-Schnapp, Weltspielen and Funfwissenschaft, by the passage on the Order of Assassins, which read:

Surrounded by Moslem maniacs on one side and Christian maniacs on the other, the wise Lord Hassan preserved his people and his cult by bringing the art of assassination to esthetic perfection. With just a few daggers strategically placed in exactly the right throats, he found Wisdom's alternative to war, and preserved the peoples by killing their leaders. Truly, his was a most exemplary life of grandmotherly kindness.

"Grossmutterlich Gefalligkeit," muttered Hagbard, who had been reading this in the original German, "now where have I heard that before?"

In a second, he remembered: the Mu-Mon-Kan or "Gateless Gate" of Rinzai Zen contained a story about a monk who kept asking a Zen Master, "What is the Buddha?" Each time he asked, he got hit upside the head with the Master's staff. Finally discouraged, he left and sought enlightenment with another Master, who asked him why he had left the previous teacher. When the poor gawk explained, the second Master gave him the ontological hotfoot: "Go back to your previous Master at once," he cried, "and apologize for not showing enough appreciation of his grandmotherly kindness!"

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