They had reached another landing. Barquentine stopped for a moment to scratch himself. ‘He may have prepared his poem,’ he said turning his time-wasted visage to the slender, high shouldered young man, ‘but have you told him about the magpie? Eh?’
‘I told him that he must rise to his feet and declaim within twelve seconds of the magpie’s release from the wire cage. That while declaiming his left hand must be clasping the beaker of moat-water in which the Countess has previously placed the blue pebble from Gormenghast river.’
‘That is so, boy. And that he shall be wearing the Poet’s Gown, that his feet shall be bare, did you tell him that?’
‘I did,’ said Steerpike.
‘And the yellow benches for the Professors. Were they found?’
‘They were. In the south stables. I have had them re-painted.’
‘And the seventy-seventh earl, Lord Titus, does the pup know that he is to stand when the rest are seated, and seat himself when the rest are standing? Does the child know that – eh – eh – he is a scatterbrained thing – have you instructed him, you skinned candle? By the gripes of my seventy years, your forehead shines like a bloody iceberg!’
‘He has been instructed,’ said Steerpike.
Barquentine set out again on his descent to the eating-room. Once the walnut stairs had been negotiated, the Master of Ritual stuttered his way down the level corridors like something possessed. As the dust rose from the floor at each bang of the crutch, Steerpike, following immediately behind his master, amused himself by the invention of a peculiar dance, a kind of counterpoint to Barquentine’s jerking progress – a silent and elaborate improvisation, laced, as it were, with lewd and ingenious gestures.
TWENTY-THREE
The long summer minutes dragged by for Titus as he sat at his desk in the schoolroom where Professor Cutflower (who had once made a point of being at least one mental hour ahead of his class in whatever subject he happened to be taking, but who had long since decided to pursue knowledge on an equal footing with his pupils) was, with the lid of his high desk raised to hide his activity, taking a long pull at a villainous looking bottle with a blue label. The morning seemed endless …
But, for Barquentine with a score of preparations still to be completed, and with his rough tongue victimizing the workmen in the south quadrangle, the hours sped by with the speed of minutes.
And so, after what seemed an infinity to Titus and a whisk of time’s skirt to Barquentine, the morning that was both fleet and tardy, fructified and like a grape of air, in whose lucent body the earth was for that moment suspended – that phantom ripeness throbbed, that thing called
Before it had awoke to die on the instant of its waking, a score of bells and clocks had shouted midday and for a minute after its death, from near and far the clappers in their tents of rusted iron clanged across Gormenghast. It was as though no mechanism on earth could strike or chain that ghost of time. The clocks and the bells stuttered, boomed and rang. They trod with their iron imprint. They beat with their ancient fists and shouted with archaic voices – but the ghost was older.
Noon, ripe as thunder and silent as thought, had fled unfingered.
When every echo had died from even those clocks in the western outcrops, whose posthumous tolling was proverbial, so that the phrase, ‘late as a western chime’ was common in the castle – when every echo had died, Titus became aware of another sound.
After the languid threnody of the chimes, this fresh sound, so close upon the soft heels of the pendulums, appeared hideously rapid, merciless and impatient.
It had the almost dream-like insistence, for all its actuality, of some hound with feet of stone or iron; or some coursing beast, that, rattling its rapacious and unalterable way in the wake of its prey, was momently closing the gap between evil and innocence.
Titus heard the sound, as though its cause were alongside. Yet the corridor down which he was moving was empty, and the tapping of the crutch was in reality coming from a parallel passageway, and Barquentine, although only a few yards from him, was separated from the boy by a solid wall of stone.
As Titus came to a halt, his heart beating, his eyes narrowed and an expression of hatred came over his childish features – an expression hardly credible in so young a face. To him, Barquentine was the symbol of tyranny, of age, of all that held him back from summer days among the woods, from diving in the moat with his friends, from all he longed for.
As he stood shuddering with his hot uprising of fear and detestation, he listened intently. In which direction, behind that wall of stone, was the crutch travelling?
