Within the first hour from the time when he had awakened, he had descended a long sloping roof, after dropping nine feet from the parapet, and had then come upon a small, winding stone staircase which led him across a gap between two high walls to where a cluster of conical roofs forced him to make a long and hazardous circuit. Arriving at last at the opposite side of the cluster, faint and dizzy with fatigue and emptiness and with the heat of the strengthening sun, he saw spread out before him in mountainous façades a crumbling panorama, a roofscape of Gormenghast, its crags and its stark walls of cliff pocked with nameless windows. Steerpike for a moment lost heart, finding himself in a region as barren as the moon, and he became suddenly desperate in his weakness, and falling on his knees retched violently.

His sparse tow-coloured hair was plastered over his big forehead as though with glue, and was darkened to sepia. His mouth was drawn down very slightly at the corners. Any change in his masklike features was more than noticeable in him. As he knelt he swayed. Then he very deliberately sat himself down on his haunches and, pushing back some of the sticky hair from his brow so that it stuck out from his head in a stiff dank manner, rested his chin on his folded arms and then, very slowly, moved his eyes across the craggy canvas spread below him, with the same methodical thoroughness that he had shown when scanning the wall above the window of the prison room.

Famished as he was, he never for a moment faltered in his scrutiny, although it was an hour later when having covered every angle, every surface, he relaxed and released his eyes from the panorama, and after shutting them for a while fixed them again upon a certain window that he had found several minutes earlier in a distant precipice of grey stone.

‘NEAR AND FAR’

Who can say how long the eye of the vulture or the lynx requires to grasp the totality of a landscape, or whether in a comprehensive instant the seemingly inexhaustible confusion of detail falls upon their eyes in an ordered and intelligible series of distances and shapes, where the last detail is perceived in relation to the corporate mass?

It may be that the hawk sees nothing but those grassy uplands, and among the coarse grasses, more plainly than the field itself, the rabbit or the rat, and that the landscape in its entirety is never seen, but only those areas lit, as it were with a torch, where the quarry slinks, the surrounding regions thickening into cloud and darkness on the yellow eyes.

Whether the scouring, sexless eye of the bird or beast of prey disperses and sees all or concentrates and evades all saving that for which it searches, it is certain that the less powerful eye of the human cannot grasp, even after a life of training, a scene in its entirety. No eye may see dispassionately. There is no comprehension at a glance. Only the recognition of damsel, horse or fly and the assumption of damsel, horse or fly; and so with dreams and beyond, for what haunts the heart will, when it is found, leap foremost, blinding the eye and leaving the main of Life in darkness.

When Steerpike began his scrutiny the roofscape was neither more nor less than a conglomeration of stone structures spreading to right and left and away from him. It was a mist of masonry. As he peered, taking each structure individually, he found that he was a spectator of a stationary gathering of stone personalities. During the hour of his concentration he had seen, growing from three-quarters the way up a sheer, windowless face of otherwise arid wall, a tree that curved out and upwards, dividing and subdividing until a labyrinth of twigs gave to its contour a blur of sunlit smoke. The tree was dead, but having grown from the south side of the wall it was shielded from the violence of the winds, and, judging by the harmonious fanlike beauty of its shape, it had not suffered the loss of a single sapless limb. Upon the lit wall its perfect shadow lay as though engraved with superhuman skill. Brittle and dry, and so old that its first tendril must surely have begun to thrust itself forth before the wall itself had been completed, yet this tree had the grace of a young girl, and it was the intricate lace-like shadow upon the wall that Steerpike had seen first. He had been baffled until all at once the old tree itself, whose brightness melted into the bright wall behind it, materialized.

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