Darko Kerim had a wonderfully warm dry handclasp. It was a strong Western handful of operative fingers – not the banana skin handshake of the East that makes you want to wipe your fingers on your coat-tails. And the big hand had a coiled power that said it could easily squeeze your hand tighter and tighter until finally it cracked your bones.
Bond was six feet tall, but this man was at least two inches taller and he gave the impression of being twice as broad and twice as thick as Bond. Bond looked up into two wide apart, smiling blue eyes in a large smooth brown face with a broken nose. The eyes were watery and veined with red, like the eyes of a hound who lies too often too close to the fire. Bond recognized them as the eyes of furious dissipation.
The face was vaguely gipsy-like in its fierce pride and in the heavy curling black hair and crooked nose, and the effect of a vagabond soldier of fortune was heightened by the small thin gold ring Kerim wore in the lobe of his right ear. It was a startlingly dramatic face, vital, cruel and debauched, but what one noticed more than its drama was that it radiated life. Bond thought he had never seen so much vitality and warmth in a human face. It was like being close to the sun, and Bond let go the strong dry hand and smiled back at Kerim with a friendliness he rarely felt for a stranger.
‘Thanks for sending the car to meet me last night.’
‘Ha!’ Kerim was delighted. ‘You must thank our friends too. You were met by both sides. They always follow my car when it goes to the airport.’
‘Was it a Vespa or a Lambretta?’
‘You noticed? A Lambretta. They have a whole fleet of them for their little men, the men I call “The Faceless Ones”. They look so alike, we have never managed to sort them out. Little gangsters, mostly stinking Bulgars, who do their dirty work for them. But I expect this one kept well back. They don’t get up close to the Rolls any more since the day my chauffeur stopped suddenly and then reversed back as hard as he could. Messed up the paintwork and bloodied the bottom of the chassis but it taught the rest of them manners.’
Kerim went to his chair and waved to an identical one across the desk. He pushed over a flat white box of cigarettes and Bond sat down and took a cigarette and lit it. It was the most wonderful cigarette he had ever tasted – the mildest and sweetest of Turkish tobacco in a slim long oval tube with an elegant gold crescent.
While Kerim was fitting one into a long nicotine-stained ivory holder, Bond took the opportunity to glance round the room, which smelled strongly of paint and varnish as if it had just been redecorated.
It was big and square and panelled in polished mahogany, except behind Kerim’s chair where a length of Oriental tapestry hung down from the ceiling and gently moved in the breeze as if there was an open window behind it. But this seemed unlikely as light came from three circular windows high up in the walls. Perhaps, behind the tapestry, was a balcony looking out over the Golden Horn, whose waves Bond could hear lapping at the walls below. In the centre of the right-hand wall hung a gold-framed reproduction of Annigoni’s portrait of the Queen. Opposite, also imposingly framed, was Cecil Beaton’s war-time photograph of Winston Churchill looking up from his desk in the Cabinet Offices like a contemptuous bulldog. A broad bookcase stood against one wall and, opposite, a comfortably padded leather settee. In the centre of the room the big desk winked with polished brass handles. On the littered desk were three silver photograph frames, and Bond caught a sideways view of the copperplate script of two Mentions in Dispatches and the Military Division of the O.B.E.
