All the lights were on. Perhaps one of the servants was in the bathroom. Bond walked boldly across to the communicating door and opened it. More lights, but no one. It was a big bathroom, probably a spare room converted into a bathroom and, in addition to the bath and lavatory, it held various fitness machines – a rowing machine, a fixed bicycle wheel, Indian clubs and a Ralli Health Belt. The medicine cabinet contained nothing except a great variety of purges – senna pods, cascara, Calsalettes, Enos and various apparatus for the same purpose. There were no other drugs and no aspirin. Bond went back into the bedroom and again drew a blank. It was a typical man’s room, comfortable, lived in, with plenty of fitted cupboards. It even smelled neutral. There was a small bookcase beside the bed in which all the books were history or biography, all in English. The drawer of the bedside table yielded a solitary indiscretion, a yellow-backed copy of The Hidden Sight of Love, Palladium Publications, Paris.

Bond glanced at his watch. Five more minutes. It was time to go. He took a last look round the room and moved to the door. Suddenly he stopped. What was it he had noticed almost subconsciously ever since he had come into the room? He sharpened his senses. There was an incongruity somewhere. What was it? A colour? An object? A smell? A sound? That was it! From where he stood he could hear the faintest, mosquito-shrill whine. It was almost extra-sensory in its pitch. Where did it come from? What was making it? Now there was something else in the room, something that Bond knew all too well, the smell of danger.

Tensely Bond stepped closer to the fitted cupboard beside the door, softly opened it. Yes, it came from inside the cupboard, from behind a range of sports coats that reached down to the top of three banks of drawers. Sharply Bond swept the coats aside. His jaws clenched at what was behind them.

From three slots near the top of the cupboard, sixteen-millimetre film was inching down in three separate strips into a deep bin behind the false front of the drawers. The bin was almost half full of the slimy snakes of the stuff. Bond’s eyes narrowed tensely as he watched the damning evidence coil slowly down on to the pile. So that was it – cine-cameras, three of them, their lenses concealed God knows where – in the hall, in the garage courtyard, in this room – had been watching his every move from the moment Goldfinger had left the house, switching on the cameras, and, of course, the dazzling lights, as he went out of the door. Why hadn’t Bond seen the significance of those lights? Why hadn’t he had the elementary imagination to see the trap as well as smell it? Cover stories, indeed! What use were they now when he had spent half an hour snooping round and finding nothing for his pains? That too! He had discovered nothing – unearthed no secret. It had all been an idiotic waste of time. And now Goldfinger had him. Now he was finished, hopelessly blown. Was there any way of saving something from the wreckage? Bond stood riveted, staring at the slow cataracts of film.

Let’s see now! Bond’s mind raced, thinking of ways out, excuses, discarding them all. Well, at least by opening the cupboard door he had exposed some of the film. Then why not expose it all? Why not, but how? How could the open cupboard door be explained except by his doing? There came a miaow from the open slit of the bedroom door. The cat! Why shouldn’t the cat have done it? Pretty thin, but at least it was the shadow of an alibi. Bond opened the door. He picked the cat up in his arms. He went back with it to the cupboard, stroking it brusquely. It purred. Bond leant over the bin of film, picking it up in handfuls so that it would all get the light. Then, when he was satisfied that it must be ruined, he tossed it back and dropped the cat in on top of it. The cat would not be able to get out easily. With any luck it would settle down and go to sleep. Bond left the cupboard door three inches ajar to spoil the continuing film and the bedroom door the same amount and ran down the passage. At the top of the stairs he slowed and sauntered down. The empty hall yawned at his play-acting. He walked across to the fireplace, dashed more drink into his glass and picked up The Field. He turned to the golf commentary by Bernard Darwin, ran his eye down it to see what it was about, and then settled into one of the club chairs and lit a cigarette.

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