"Oh, it was Captain Cully came riding homeFrom slaying of the king's gay deer,When whom should he spy but a pale young man,Game drooping o'er the lea?"'What news, what news, my pretty young man?What ails ye, that ye sigh so deep?Is it for the loss of your lady fair?Or are ye but scabbit in your greep?'"'I am nae scabbit, whatever that means,And my greep is as well as a greep may be,But I do sigh for my lady fairWhom my three brothers ha' riven from me.'"'I am Captain Cully of the sweet greenwood,And the men at my call are fierce and free.If I do rescue your lady fair,What service will ye render me?'"'If ye do rescue my lady fair,I will break your nose, ye silly auld gowk.But she wore an emerald at her throat,Which my three brothers also took.'"Then the captain has gone to the three bold thieves,And he's made his sword baith to shiver and sing.'Ye may keep the lass, but I'll hae the stane,For it's fit for the crown of a royal king.'"

"Now comes the best part," Cully whispered to Schmendrick. He was bouncing eagerly on his toes, hugging himself.

"Then it's three cloaks off, and it's three swords out,And it's three swords whistling like the tea.'By the faith of my body,' says Captain Cully,'Now ye shall have neither the stane nor she.'"And he's driven them up, and he's driven them down,And he's driven them to and fro like sheep -"

"Like sheep," Cully breathed. He rocked and hummed and parried three swords with his forearm for the remaining seventeen stanzas of the song, rapturously oblivious to Molly's mockery and the restlessness of his men. The ballad ended at last, and Schmendrick applauded loudly and earnestly, complimenting Willie Gentle on his right-hand technique.

"I call it Alan-a-Dale picking," the minstrel answered.

He would have expounded further, but Cully interrupted him, saying, "Good, Willie, good boy, now play the others." He beamed at what Schmendrick hoped was an expression of pleased surprise. "I said that there were several songs about me. There are thirty-one, to be exact, though none are in the Child collection just at present -" His eyes widened suddenly, and he grasped the magician's shoulders. "You wouldn't be Mr. Child himself, now would you?" he demanded. "He often goes seeking ballads, so I've heard, disguised as a plain man -"

Schmendrick shook his head. "No, I'm very sorry, really."

The captain sighed and released him. "It doesn't matter," he murmured. "One always hopes, of course, even now – to be collected, to be verified, annotated, to have variant versions, even to have one's authenticity doubted… well, well, never mind. Sing the other songs, Willie lad. You'll need the practice one day, when you're field-recorded."

The outlaws grumbled and scuffed, kicking at stones. A hoarse voice bawled from a safe shadow, "Na, Willie, sing us a true song. Sing us one about Robin Hood."

"Who said that?" Cully's loosened sword clacked in its sheath as he turned from side to side. His face suddenly seemed as pale and weary as a used lemon drop.

"I did," said Molly Grue, who hadn't. "The men are bored with ballads of your bravery, captain darling. Even if you did write them all yourself."

Cully winced and stole a side glance at Schmendrick. "They can still be folk songs, can't they, Mr. Child?" he asked in a low, worried voice. "After all -"

"I'm not Mr. Child," Schmendrick said. "Really I'm not."

"I mean, you can't leave epic events to the people. They get everything wrong."

An aging rogue in tattered velvet now slunk forward. "Captain, if we're to have folk songs, and I suppose we must, then we feel they ought to be true songs about real outlaws, not this lying life we live. No offense, captain, but we're really not very merry, when all's said -"

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