“Suit yourself.” Pem stood up for a minute, to push his hair back, and then settled back down in the water so their heads were on the same level. “Don’t you get bored, just laying there in the water? Chris gets a little pissed off.”
“Chris?” said Harriet, after a startled pause. The sound of her own voice startled her even more: it was all dry and rusty, like she hadn’t spoken for days.
“When I came to relieve him he was all like: ‘Look at that kid, laying in the water like a log.’ Those toddler moms kept bugging him about it, like he would
“Do you want a Coke?” he said; and there was a cheerful crack in his voice that reminded her of Hely. “Free? Chris left me the key to the cooler.”
“No thanks.”
“Say, why didn’t you tell me Allison was home when I called the other day?”
Harriet looked at him—blankly, a look that made Pemberton’s brow pucker—and then hopped along the bottom of the pool and began to swim away. It was true: she’d told him that Allison wasn’t there, and hung up, even though Allison was in the next room. Moreover: she didn’t know why she’d done it, couldn’t even invent a reason.
He hopped after her; she could hear him splashing.
“Hey,” she heard him call. “I heard Ida Rhew quit.” The next thing she knew, he had glided in front of her.
“Say,” he said—and then did a double take. “Are you crying?”
Harriet dove—kicking a healthy spray of water in his face—and darted off underwater:
“Harriet?” she heard him call as she surfaced by the ladder. In a grim hurry, she clambered out and—head down—scurried for the dressing room with a string of black footprints winding behind her.
“Hey!” he called. “Don’t be like that. You can play dead all you want. Harriet?” he called again as she ran behind the concrete barrier and into the ladies’ locker room, her ears burning.
————
The only thing that gave Harriet a sense of purpose was the idea of Danny Ratliff. The thought of him itched at her. Again and again—perversely, as if bearing down on a rotten tooth—she tested herself by thinking of him; and again and again outrage flared with sick predictability, fireworks sputtering from a raw nerve.
In her bedroom, in the fading light, she lay on the carpet, staring at the flimsy black-and-white photograph she’d scissored from the yearbook. Its casual, off-centered quality—which had shocked her at first—had long since burned away and now what she saw when she looked at the picture was not a boy or even a person, but the frank embodiment of evil. His face had grown so poisonous to her that now she wouldn’t even touch the photograph except to pick it up by the edges. The despair of her house was the work of his hand. He deserved to die.
Throwing the snake on his grandmother had given her no relief. It was him she wanted. She’d caught a glimpse of his face outside the funeral home, and of one thing she was now confident:
With distaste, Harriet reflected upon how life had beaten down the adults she knew, every single grown-up. Something strangled them as they grew older, made them doubt their own powers—laziness? Habit? Their grip slackened; they stopped fighting and resigned themselves to what happened. “That’s Life.” That’s what they all said. “That’s Life, Harriet, that’s just how it is, you’ll see.”
Well: Harriet would
She turned her attention to the problem at hand. Why would Danny Ratliff go to the freight yards? There wasn’t much to steal. Most of the warehouses were boarded up and Harriet had climbed up and looked inside the windows of the ones that weren’t: empty, for the most part, except for raggedy cotton bales and age-blacked machinery and dusty pesticide tanks wallowing belly-up in the corners. Wild possibilities ran through her mind: prisoners sealed in a boxcar. Bodies buried; burlap sacks of stolen bills. Skeletons, murder weapons, secret meetings.