It takes a generation, he says, to reconcile heads and hearts. Englishmen of every shire are wedded to what their nurses told them. They do not like to think too hard, or disturb the plan of the world that exists inside their heads, and they will not accept change unless it puts them in better ease. But new times are coming. Gregory’s children – and, he adds quickly, your Majesty’s children yet to be born – will never have known their country in thrall to an old fraud in Rome. They will not put their faith in the teeth and bones of the dead, or in holy water, ashes and wax. When they can read the Bible for themselves, they will be closer to God than to their own skin. They will speak His language, and He theirs. They will see that a prince exists not to sit a horse in a plumed helmet, but – as your Majesty always says – to care for his subjects, body and soul. The scriptures enjoin obedience to earthly powers, and so we stick by our prince through thick and thin. We do not reject part of his polity. We take him as a whole, consider him God’s anointed, and suppose God is keeping an eye on him.
Until these blessed days dawn, ‘Let’s have peace,’ he says: ‘Peace is cheap.’ Everyone agrees the north must be governed better, but by whom? Thomas Cromwell thinks we need able men, but the Duke of Norfolk thinks we need noble men.
When fresh insurrection breaks out, it is led by a man who owes the Lord Privy Seal a great deal of money. His name is Francis Bigod: a boy in Wolsey’s household, an Oxford scholar, zealous for the gospel till lately; a man on friendly terms with our archbishop, with Hugh Latimer, with Robert Barnes; on friendliest terms of all with my lord Cromwell. So what does it mean, what can it mean, that such a man is riding about the countryside talking wild and waving a sword, swearing to take back Hull for the rebels, seize the town of Beverley, launch a force against the port of Scarborough? He is tired of people asking him, what does it mean, and whence comes this? Did you quarrel? As if he were responsible for Bigod’s bloody caprice.
He can only say, Bigod asked some strange things of me lately. He asked how the king could be responsible for our souls: as if there were some other candidate on earth, better qualified. He asked if he, Bigod, could preach in the pulpit, like a priest. When I said no, he asked, could he be ordained a priest? Though he was married?
He is brainsick, perhaps, his wits turned. But his folly will undo his countrymen, leading them to the fight through weather in which only a novice would campaign. And Bigod is not so mad he cannot be responsible for his actions. The king’s pardon was once and once only: after that, martial law.
Hans comes to him. ‘He has decided he wants a wall painting.’
‘Is that more difficult?’
Hans rubs his beard. He wants to talk terms; he wants to go on the royal books, with board and lodging and a workspace at Whitehall for the life of this project and beyond. He asks for a guarantee of thirty pounds a year, and then he will turn down other commissions and call himself painter to the King of England.
‘Thirty?’ He frowns. But after all, Hans has a mistress and two children to keep, apart from his family over the sea.
Hans says, ‘There is a piece of wall in the privy chamber here, I measure it at twenty-two feet.’
‘The privy chamber? That’s where he wants it?’
‘I should hardly put it there without his permission.’
‘I thought he would want it in the presence chamber. To awe the whole world.’
‘No. He just wants to awe you. And his attending gentlemen. And I suppose any poor foreigner he brings in for a tour.’
Of course, the privy chamber is not as private these days as its name implies. The king does not reckon to be alone there. If he wants solitude, or the company of one or two, he finds himself a sanctum in every house: a corner room where he tunes a lute, or a secret book store up a winding stair.
Hans says, ‘I do not mind if few people see it, as long as the right people see it. I plan to place his head’ – he indicates above his own head, ‘about here. No harm to give him an extra inch or so.’
‘In the leg,’ he suggests, ‘not the body. Or you mean elsewhere?’
Han sniggers. ‘I will draw him with gown well-parted, so the world can see the wonder. A generous wad of quilting.’
‘How big will it be? The painting, I mean.’
Hans stretches his arms then wheels about, demonstrating in space. ‘He wonders if he should have his father painted too.’
‘In the same picture?’
‘It can be done.’
And his mother, why not? A line of kings and queens, stretching into the blue distance. And an unborn child hovering, like a shadow of a bird against glass.
‘So he must be available to me,’ Hans says. ‘For drawings. They must be detailed, it will take time. Afterwards I can dispense with his body. He need not be present. I can meet separately with his clothes.’
‘You did not give me that choice when you painted me.’
