If you marvel at your good fortune, you should marvel in secret: never let people see you. When you are Lord Privy Seal you must walk abroad with solemn countenance, looking chosen by Jesus, like More did when he was chancellor. Once he had shrugged off his early life – the Williamses and their plans, as well as Walter, his slaps and kicks – he did not think he would ever come back to those streets. But we yearn for our origins; we yearn for an innocent terrain. Ship Lane has always been there, running downhill to the wharves. The town he knew had been a territory of back alleys and rat-runs, robbers’ dens with broken doors, keel-up boats rotting, frayed rope dissolved into vegetable matter, riverine mud and riverine gravel. His birthplace squatted there, around the bend in the river.

On his journey today from London, he felt he brought guests: Norris and George Boleyn, young Weston, Mark, and William Brereton. As he stepped out of his barge they stepped out too; they stood on the banks of the Styx, waiting to cross. They died within minutes of each other, but that does not mean they are together now. The dead wander the lanes of the next life like strangers lost in Venice. Even if they met, what would they have to talk about? When they stood before their judges they edged away from each other, as if fearing contamination. Each man had made a case against the other, hoping he might save his own life.

Get out, he tells them. Don’t think you can move in here. Pay the ferryman, and away you go. His spaniel turns in his arms as they walk in the twilight, her muzzle raised, her tasselled ears pricked; though she is small of her kind, her nose is as sharp as a hunter’s. There is always a current of disturbance, till a house settles about you: till your dog finds its way to the hearth and the sheets to the beds, the beef to the table. There is a scent in the air that reminds him of something from the past – it is yeast, perhaps, hops – though when he was a boy, they had no hops but what came in on the boat; the hometown brewers still used burdock root or marigold. Hops poison dogs, they said, when foreigners boasted about why their ale kept better.

He remembers standing behind the king, at his shoulder, as he signed the death warrants in May: Rafe Sadler, silent, at the king’s other hand: the windows open to admit soft air, and the king an unwilling scholar, truculent as some infant set down for the first time with a slate. It is hard labour for Henry, it is irksome toil, signing lives away. And the king’s hand rests, it seems, for long moments together, to allow him to view the half-made strokes – as if they might form by themselves and relieve him of the task.

Henry Norris, yes. He wills the royal arm to move. William Brereton, yes: he can feel, as if he himself were the king, the concentrated power of Rafe Sadler’s gaze on the nape of his neck. The lutenist Smeaton, yes, that is easily done, ink slips like oil onto the paper, into the vital space: resolving easily, a day or so from now, into the boy’s liquid death. As a man of no birth or breeding, Smeaton should have been strangled in a noose and, before he died, his guts pulled out before the crowd. But he had said to Henry, ‘Be merciful because …’

The king had said, ‘Why would I? Why would I show mercy, to a man who has debauched a queen of England?’

‘Mark is very young and fearful. No creature in terror can make a good death. And he must be sensible of his sins at the last, and able to frame a prayer.’

‘Do you think that a man meeting the headsman is composed?’

‘I have seen examples.’

Henry had closed his eyes. ‘Very well.’

And there Henry had paused. One saw again a child, bowed under the heavy grief of infancy: the schoolmaster’s mauvais sujet twisting in his seat, kicking his stool, watching out of the window as a blithe day draws to its close. I could be out there, the child thinks, in the last of the sun. Wherefore must I engrave these letters, does my tutor hate me that he keeps me to this task? And from the table before him, with a sigh, the king had picked up his little knife (smooth ivory handle) to mend his pen. ‘Weston,’ he said. ‘You know … he’s very young.’

Over the king’s head, his eyes had met Rafe’s. It must be all of them: no doubts, no exceptions. All are guilty.

Rafe reaches out, takes the knife and the quill, sharpens it for the king. Henry receives it with a murmur of thanks: always gracious. He takes a breath and, neck bent, patient as an ox yoked to his future, he reapplies himself to his task: Francis Weston, yes. He, Cromwell, thinks, I have done this before, surely? Some other time, some similar form of coercion?

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