I went to Lila’s house in search of comfort. But I knew I had made a mistake with her, too. I had done something stupid: I hadn’t told her about going with Stefano to get the photograph. Why had I been silent? Was I pleased with the role of peacemaker that her husband had proposed and did I think I could exercise it better by being silent about the visit to the Rettifilo? Had I been afraid of betraying Stefano’s confidence and as a result, without realizing it, betrayed her? I didn’t know. Certainly it hadn’t been a real decision: rather, an uncertainty that first became a feigned carelessness, then the conviction that not having said right away what had happened made remedying the situation complicated and perhaps vain. How easy it was to do wrong. I sought excuses that might seem convincing to her, but I wasn’t able to make them even to myself. I sensed that the foundations of my behavior were flawed, I was silent.
On the other hand, she had never indicated that she knew the encounter had taken place. She always welcomed me kindly, let me take a bath in her bathtub, use her makeup. But she made few comments on the plots of the novels that I recounted to her, preferring to give me frivolous information about the lives of actors and singers she read about in the magazines. And she no longer told me any of her thoughts or secret plans. If I saw a bruise, if I took that as a starting point to get her to examine the reasons for Stefano’s ugly reaction, if I said that maybe he had been cruel because he would like her to help him, support him in his difficulties, she looked at me ironically, she shrugged, she was evasive. In a short time I understood that although she didn’t want to break off her relationship with me, she had decided not to confide in me anymore. Did she in fact know, and no longer considered me a trustworthy friend? I even went so far as to make my visits less frequent, hoping that she would feel my absence, ask the reason for it, and we would explain things to each other. But she didn’t seem to notice. Then I couldn’t stand it and went back to visiting constantly, which seemed to make her neither happy nor unhappy.
That very hot day in July I was especially depressed when I arrived at her house and yet I said nothing about Nino, about Nino’s girlfriend, because without intending to—it’s the way these things go—I had ended up reducing the play of confidences almost to nothing myself. She was welcoming as usual. She made an orzata. I curled up on the couch in the dining room to drink the cold almond syrup, irritated by the clatter of the trains, by the sweat, by everything.
I observed her silently as she moved through the house; I was enraged by her capacity to travel through the most depressing labyrinths, holding on to the thread of her declaration of war without showing it. I thought of what her husband had told me, his words about the power that Lila held back like the spring of a dangerous device. I looked at her stomach and imagined that truly inside it, every day, every night, she was fighting a battle to destroy the life that Stefano wanted to insert there by force. How long will she resist, I wondered, but I didn’t dare to ask explicit questions, I knew she would consider them disagreeable.
A little later Pinuccia arrived, apparently to visit her sister-in-law. But in fact ten minutes afterward Rino showed up, and he and Pina began kissing, practically right in front of us, in a way so excessive that Lila and I exchanged looks. When Pina said she wanted to see the view, he followed her, and they shut themselves in a room for a good half hour.
This happened often. Lila talked about it with a mixture of irritation and sarcasm, and I was envious of the couple’s ease: no fear, no misery, when they reappeared they were more contented than before. Rino went to the kitchen to get something to eat; returning, he talked about shoes with his sister, he said that things were constantly improving, and tried to get suggestions from her that he could later take credit for with the Solaras.
“You know that Marcello and Michele want to put your picture in the store in Piazza dei Martiri?” he asked suddenly, in an appealing tone.
“It doesn’t seem appropriate,” Pinuccia immediately interrupted.
“Why not?” Rino asked.
“What sort of question is that? If she wants, Lina can put the picture in the new grocery: she’s going to run it, no? If I’m getting the shop in Piazza dei Martiri, will you let me decide what goes in it?”
