Marcello was driving the 1100, by himself, without his brother, and had seen her as she was going home along the
“You told him that?”
“I said more.”
“What?”
When Marcello, insulted, had replied that his feelings were delicate, that he thought of her only with love, night and day, that therefore he wasn’t an animal but one who loved her, she had responded that if a person behaved as he had behaved with Ada, if that same person on New Year’s Eve started shooting people with a gun, to call him an animal was to insult animals. Marcello had finally understood that she wasn’t joking, that she really considered him less than a frog, a salamander, and he was suddenly depressed. He had murmured weakly, “It was my brother who was shooting.” But even as he spoke he had realized that that excuse would only increase her contempt. Very true. Lila had started walking faster and when he tried to follow had yelled, “Go away,” and started running. Marcello then had stopped as if he didn’t remember where he was and what he was supposed to be doing, and so he had gone back to the 1100.
“You did that to Marcello Solara?”
“Yes.”
“You’re crazy: don’t tell anyone you treated him like that.”
At the moment it seemed to me superfluous advice, I said it just to demonstrate that I was concerned. Lila by nature liked talking and fantasizing about facts, but she never gossiped, unlike the rest us, who were continuously talking about people. And in fact she spoke only to me of Pasquale’s love, I never discovered that she had told anyone else. But she told everyone about Marcello Solara. So that when I saw Carmela she said, “Did you know that your friend said no to Marcello Solara?” I met Ada, who said to me, “Your friend said no to Marcello Solara, no less.” Pinuccia Carracci, in the shop, whispered in my ear, “Is it true that your friend said no to Marcello Solara?” Even Alfonso said to me one day at school, astonished, “Your friend said no to Marcello Solara?”
When I saw Lila I said to her, “You shouldn’t have told everyone, Marcello will get angry.”
She shrugged. She had work to do, her siblings, the housework, her mother, her father, and she didn’t stop to talk much. Now, as she had been since New Year’s Eve, she was occupied only with domestic things.
25.
So it was. For the rest of the term Lila was totally uninterested in what I did in school. And when I asked her what books she was taking out of the library, what she was reading, she answered, spitefully, “I don’t take them out anymore, books give me a headache.”
Whereas I studied, reading now was like a pleasant habit. But I soon had to observe that, since Lila had stopped pushing me, anticipating me in my studies and my reading, school, and even Maestro Ferraro’s library, had stopped being a kind of adventure and had become only a thing that I knew how to do well and was much praised for.
I realized this clearly on two occasions.
Once I went to get some books out of the library. My card was dense with borrowings and returns, and the teacher first congratulated me on my diligence, then asked me about Lila, showing regret that she and her whole family had stopped taking out books. It’s hard to explain why, but that regret made me suffer. It seemed to be the sign of a true interest in Lila, something much stronger than the compliments for my discipline as a constant reader. It occurred to me that if Lila had taken out just a single book a year, on that book she would have left her imprint and the teacher would have felt it the moment she returned it, while I left no mark, I embodied only the persistence with which I added volume to volume in no particular order.