“Milo was in a bad mood, and Bradley wasn’t even there on Saturday,” Louise says. “He came back today and took us to the Village for breakfast.”
“What did you have?”
“I had sausage wrapped in little pancakes and fruit salad and a rum bun.”
“Where was Bradley on Saturday?”
She shrugs. “I didn’t ask him.”
She almost always surprises me by being more grown-up than I give her credit for. Does she suspect, as I do, that Bradley has found another lover?
“Milo was in a bad mood when you two left here Saturday,” I say.
“I told him if he didn’t want me to come next weekend, just to tell me.” She looks perturbed, and I suddenly realize that she can sound exactly like Milo sometimes.
“You shouldn’t have said that to him, Louise,” I say. “You know he wants you. He’s just worried about Bradley.”
“So?” she says. “I’m probably going to flunk math.”
“No, you’re not, honey. You got a C-plus on the last assignment.”
“It still doesn’t make my grade average out to a C.”
“You’ll get a C. It’s all right to get a C.”
She doesn’t believe me.
“Don’t be a perfectionist, like Milo,” I tell her. “Even if you got a D, you wouldn’t fail.”
Louise is brushing her hair—thin, shoulder-length, auburn hair. She is already so pretty and so smart in everything except math that I wonder what will become of her. When I was her age, I was plain and serious and I wanted to be a tree surgeon. I went with my father to the park and held a stethoscope—a real one—to the trunks of trees, listening to their silence. Children seem older now.
“What do you think’s the matter with Bradley?” Louise says. She sounds worried.
“Maybe the two of them are unhappy with each other right now.”
She misses my point. “Bradley’s sad, and Milo’s sad that he’s unhappy.”
I drop Louise off at Sarah’s house for supper. Sarah’s mother, Martine Cooper, looks like Shelley Winters, and I have never seen her without a glass of Galliano on ice in her hand. She has a strong candy smell. Her husband has left her, and she professes not to care. She has emptied her living room of furniture and put up ballet bars on the walls, and dances in a purple leotard to records by Cher and Mac Davis. I prefer to have Sarah come to our house, but her mother is adamant that everything must be, as she puts it, “fifty-fifty.” When Sarah visited us a week ago and loved the chocolate pie I had made, I sent two pieces home with her. Tonight, when I left Sarah’s house, her mother gave me a bowl of Jell-O fruit salad.
The phone is ringing when I come in the door. It is Bradley.
“Bradley,” I say at once, “whatever’s wrong, at least you don’t have a neighbor who just gave you a bowl of maraschino cherries in green Jell-O with a Reddi-Wip flower squirted on top.”
“Jesus,” he says. “You don’t need me to depress you, do you?”
“What’s wrong?” I say.
He sighs into the phone. “Guess what?” he says.
“What?”
“I’ve lost my job.”
It wasn’t at all what I was expecting to hear. I was ready to hear that he was leaving Milo, and I had even thought that that would serve Milo right. Part of me still wanted him punished for what he did. I was so out of my mind when Milo left me that I used to go over and drink Galliano with Martine Cooper. I even thought seriously about forming a ballet group with her. I would go to her house in the afternoon, and she would hold a tambourine in the air and I would hold my leg rigid and try to kick it.
“That’s awful,” I say to Bradley. “What happened?”
“They said it was nothing personal—they were laying off three people. Two other people are going to get the ax at the agency within the next six months. I was the first to go, and it was nothing personal. From twenty thousand bucks a year to nothing, and nothing personal, either.”
“But your work is so good. Won’t you be able to find something again?”
“Could I ask you a favor?” he says. “I’m calling from a phone booth. I’m not in the city. Could I come talk to you?”
“Sure,” I say.
It seems perfectly logical that he should come alone to talk—perfectly logical until I actually see him coming up the walk. I can’t entirely believe it. A year after my husband has left me, I am sitting with his lover—a man, a person I like quite well—and trying to cheer him up because he is out of work. (“Honey,” my father would say, “listen to Daddy’s heart with the stethoscope, or you can turn it toward you and listen to your own heart. You won’t hear anything listening to a tree.” Was my persistence willfulness, or belief in magic? Is it possible that I hugged Bradley at the door because I’m secretly glad he’s down and out, the way I used to be? Or do I really want to make things better for him?)
He comes into the kitchen and thanks me for the coffee I am making, drapes his coat over the chair he always sits in.
“What am I going to do?” he asks.
“You shouldn’t get so upset, Bradley,” I say. “You know you’re good. You won’t have trouble finding another job.”
