Howard has finally found what he wants: the opposite of domestic tranquility. For six years, he lived in Oregon with a pale, passive woman. On the rebound, he married an even paler pre-med student named Francine. That marriage lasted less than a year, and then, on a blind date in Los Angeles, he met Kate, whose husband was away on a business trip to Denmark just then. In no time, Kate and her daughter and infant son moved in with him, to the studio apartment in Laguna Beach he was sharing with a screenwriter. The two men had been working on a script about Medgar Evers, but when Kate and the children moved in they switched to writing a screenplay about what happens when a man meets a married woman with two children on a blind date and the three of them move in with him and his friend. Then Howard’s collaborator got engaged and moved out, and the screenplay was abandoned. Howard accepted a last-minute invitation to teach writing at an upstate college in New York, and within a week they were all ensconced in a drafty Victorian house in Saratoga. Kate’s husband had begun divorce proceedings before she moved in with Howard, but eventually he agreed not to sue for custody of Becky and Todd in exchange for child-support payments that were less than half of what his lawyer thought he would have to pay. Now he sends the children enormous stuffed animals that they have little or no interest in, with notes that say, “Put this in Mom’s zoo.” A stuffed toy every month or so—giraffes, a life-size German shepherd, an overstuffed standing bear—and, every time, the same note.

The bear stands in one corner of the kitchen, and people have gotten in the habit of pinning notes to it—reminders to buy milk or get the oil changed in the car. Wraparound sunglasses have been added. Scarves and jackets are sometimes draped on its arms. Sometimes the stuffed German shepherd is brought over and propped up with its paws placed on the bear’s haunch, imploring it.

Right now, I’m in the kitchen with the bear. I’ve just turned up the thermostat—the first one up in the morning is supposed to do that—and am dunking a tea bag in a mug of hot water. For some reason, it’s impossible for me to make tea with loose tea and the tea ball unless I have help. The only tea bag I could find was Emperor’s Choice.

I sit in one of the kitchen chairs to drink the tea. The chair seems to stick to me, even though I have on thermal long johns and a long flannel nightgown. The chairs are plastic, very nineteen-fifties, patterned with shapes that look sometimes geometric, sometimes almost human. Little things like malformed hands reach out toward triangles and squares. I asked. Howard and Kate got the kitchen set at an auction, for thirty dollars. They thought it was funny. The house itself is not funny. It has four fireplaces, wide-board floors, and high, dusty ceilings. They bought it with his share of an inheritance that came to us when our grandfather died. Kate’s contribution to restoring the house has been transforming the baseboards into faux marbre. How effective this is has to do with how stoned she is when she starts. Sometimes the baseboards look like clotted versions of the kitchen-chair pattern, instead of marble. Kate considers what she calls “parenting” to be a full-time job. When they first moved to Saratoga, she used to give piano lessons. Now she ignores the children and paints the baseboards.

And who am I to stand in judgment? I am a thirty-eight-year-old woman, out of a job, on tenuous enough footing with her sometime lover that she can imagine crashing emotionally as easily as she did on the ice. It may be true, as my lover, Frank, says, that having money is not good for the soul. Money that is given to you, that is. He is a lawyer who also has money, but it is money he earned and parlayed into more money by investing in real estate. An herb farm is part of this real estate. Boxes of herbs keep turning up at Frank’s office—herbs in foil, herbs in plastic bags, dried herbs wrapped in cones of newspaper. He crumbles them over omelets, roasts, vegetables. He is opposed to salt. He insists herbs are more healthful.

And who am I to claim to love a man when I am skeptical even about his use of herbs? I am embarrassed to be unemployed. I am insecure enough to stay with someone because of the look that sometimes comes into his eyes when he makes love to me. I am a person who secretly shakes on salt in the kitchen, then comes out with her plate, smiling, as basil is crumbled over the tomatoes.

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