The New Yorker Stories полностью

He bought a frozen turkey potpie and, as a treat to himself (it was not true that he constantly denied himself happiness, as Lynn said—one could not deny what was rarely to be found), a new radio whose FM quality was excellent—though what did he know, with his imperfect hearing? As he ate Thanksgiving dinner (two nights before Thanksgiving, but why stand on formality?—a choice of Dinty Moore beef stew or Lean Cuisine vegetable lasagna remained for the day of thanks itself), he listened with pleasure to Respighi’s Pini di Roma. He and Sue Anne had almost gone to Rome on their honeymoon, but instead they had gone to Paris. His wife had just finished her second semester of college, in which she had declared herself an art history major. They had gone to the Louvre and to the Jeu de Paume and on the last day of the trip he had bought her a little watercolor of Venice she kept admiring, in a rather elaborate frame that probably accounted for the gouache’s high price—it was a gouache, not a watercolor, as she always corrected him. They both wanted three children, preferably a son followed by either another son or a daughter, though if their second child was a son, then of course they would devoutly wish their last to be a daughter. He remembered with bemusement the way they had prattled on, strolling by the Seine, earnestly discussing those things that were most out of their control: Life’s Important Matters.

Sue Anne conceived only once, and although they (she, to be honest) had vaguely considered adoption, Lynn remained their only child. Lacking brothers and sisters, she had been fortunate to grow up among relatives, because Keller’s sister had given birth to twins a year or so after Lynn was born, and in those days the two families lived only half an hour apart and saw each other almost every weekend. Now Sue Anne and his sister Carolynne (now merely Carol), who lived in Arlington with her doctor husband (or who lived apart from him—he was forbidden to inquire about the status of their union), had not spoken for months, and the twins, Richard and Rita, who worked as stockbrokers and had never married—smart!—and shared a house in the Hollywood Hills, were more at ease with him than his own daughter was. For years Keller had promised to visit the twins, and the previous summer, Richard had called his bluff and sent him a ticket to Los Angeles. Richard and Rita had picked Keller up at LAX in a BMW convertible and taken him to a sushi restaurant where at periodic intervals laser images on the wall blinked on and off like sexually animated hieroglyphics dry-humping to a recording of “Walk Like an Egyptian.” The next morning, the twins had taken him to a museum that had been created as a satire of museums, with descriptions of the bizarre exhibits that were so tongue-in-cheek he was sure the majority of people there thought that they were touring an actual museum. That night, they turned on the lights in their pool and provided him with bathing trunks (how would he have thought to pack such a thing?—he never thought of a visit to sprawling Los Angeles as a visit to a beach), and on Sunday they had eaten their lunch of fresh pineapple and prosciutto poolside, drinking prosecco instead of mineral water (the only beverages in the house, except for extraordinarily good red wine, as far as he could tell), and in the late afternoon they had been joined by a beautiful blonde woman who had apparently been, or might still be, Jack Nicholson’s lover. Then he went with Rita and Richard to a screening (a shoot-’em-up none of them wanted to see, though the twins felt they must, because the cinematographer was their longtime client), and on Monday they had sent a car to the house so Keller wouldn’t get lost trying to find his way around the freeways. It transported him to a lunch with the twins at a restaurant built around a beautiful terraced garden, after which he’d been dropped off to take the MGM tour and then picked up by the same driver—a dropout from Hollywood High who was working on a screenplay.