I think your killer, the Scarecrow, is by far the creepiest one you have ever written. What elements do you think you need to create a truly terrifying fictional killer?

Prior to this, I've written from the killer's point of view only two other times. One of those times was with The Poet. Since that was a Jack McEvoy/Rachel Walling story, I decided to do it again here. The truth is, the villains are easiest to create because there are no bounds. The creepier your imagination can go, then the better. I think the thing to remember is that these sorts of people need to square their crimes with themselves. So they have built-in mechanisms that allow them to live with themselves and that give them plausible explanations for why they are the way they are. When they become true believers in the cancer that affects their character, they are really frightening.

Care to explain how the Scarecrow, Wesley Carver, got his name?

He operates a data storage center. This is a hermetically sealed environment where there are rows and rows of servers for storing digital information. Businesses anywhere in the world can instantly back up their vital records to centers like these. These are often called farms by people in the business because of the rows and rows of servers set up like crops, and because most often they are located outside urban areas-in traditional farming areas-for security reasons. As the man charged with keeping intruders off the crops, so to speak, Carver is like a scarecrow watching over the farm.

Identity theft, cyberstalking, computer hacking, and the sharing of sexual perversities are just some of the ways the Internet is used by predators in The Scarecrow. It is not the first time you have used the Internet to showcase crime. Why does it make for such a good playground for evil?

I think I write about the Internet so often because it is such a force of positive change in my lifetime. But with the good comes the bad. For every invention that positively changes the world, there will be those who turn it toward the dark side. That is the grist of fiction as well as social reflection. I find it fascinating, if not scary as hell, that the Internet is the great meeting place in our time for all things. This is including the bad. People with similar perversities and aberrant tastes find one another on the Internet every day. It breeds acceptance. To me, the scariest lines in the whole book are what Rachel says about this to Jack: “Meeting people with shared beliefs helps justify those beliefs. It emboldens. Sometimes it’s a call to action.”

<p>Photos</p>

Michael Connelly writes about real places in his books. Here are a few of the locations mentioned in The Scarecrow.

Jack McEvoy’s Dictionary

Excerpt From The Scarecrow

I leaned back in my chair and studied the contents of my cubicle. A desk, a computer, a phone and two shelves stacked with files, notebooks and newspapers. A red leather-bound dictionary so old and well used that the Webster’s had been worn off its spine. My mother had given it to me when I told her I wanted to be a writer.

It was all I really had left after twenty years in journalism. All I would take with me at the end of the two weeks that had any meaning was that dictionary.

The Short Stop Bar

Excerpt From The Scarecrow

The Short Stop was on Sunset in Echo Park. That made it close to Dodger Stadium, so presumably it drew its name from the baseball position. It was also close to the Los Angeles Police Academy and that made it a cop bar in its early years. It was the kind of place you’d read about in Joseph Wambaugh novels, where cops came to be with their own kind and the groupies who didn’t judge them. But those days were long past. Echo Park was changing. It was getting Hollywood hip and the cops were crowded out of the Short Stop by the young professionals moving into the neighborhood. The prices went up and the cops found other watering holes. Police paraphernalia still hung on the walls but any cop who stopped in nowadays was simply misinformed.

Still, I liked the place because it was close to downtown and on the way to my house in Hollywood.

The Globe Lobby of the Los Angeles Times

Excerpt FromThe Scarecrow

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