Now the pleasure steamers, fat, white, crowded and unseaworthy, that had set out that morning were returning. (Among these was the Topaze.) The swell of the sea had quieted a little. Her date drank off his whisky and wrung the paper cup in his hand. The couple on their left were getting up to go and when they had gone he asked again now, now, and she said no, led on by some vague vision of continence that had appeared to her. She was weary of trying to separate the power of loneliness from the power of love and she was lonely. She was lonely and the sun drawing off the beach and the coming night made her feel tender and afraid. She looked at him now, holding in at least one chamber of her mind this vision of continence. He was staring out to sea. Lechery sat like worry on his thin face. He saw the leonine reefs in the sea like clavicles and women’s knees. Even the clouds in heaven wouldn’t dissuade him. The pleasure boats looked to him like voyaging whorehouses and he thought that the ocean had a riggish smell. He would marry some woman with big breasts, she thought—the daughter of a paper hanger—and go on the road selling disinfecants. Yes, yes, she said, yes now.

Then they drank some more whisky and ate again and now the homing pleasure boats had disappeared and the beach and all but the highest cliffs lay in the dark. He went up to the car and got a blanket, but now the search for privacy was brief; now it was dark. The stars came out and when they were done she washed in the sea and put her white coat on and together, barefoot, they went up and down the beach, carefully gathering the sandwich papers, bottles and egg shells that they and the others had left, for these were neat, good children of the middle class.

He hung the wet bathing suits on the door of the car to dry, patted her gently on the knee—the tenderest gesture of them all—and started the car. Once they had got onto the main road the traffic was heavy and many of the cars they passed had, like his, bathing suits hung from the door handles. He drove fast, and she thought cleverly, although the car was old. Its lights were weak and with the lights of an approaching car filling the pupils of his eyes he held to the road precariously, like a blind man running. But he was proud of the car—he had put in a new cylinder head and supercharger—proud of his prowess in negotiating the dilapidated and purblind vehicle over the curving roads of Travertine and St. Botolphs, and when they had gotten free of the traffic and were on a back road that was not, to his knowledge, patrolled, he took it as fast as it would go. The speed made Rosalie feel relaxed until she heard him swear and felt the car careen and bump into a field.

<p>Chapter Five</p>

The heart of the Wapshot house had been built before the War of Independence, but many additions had been made since then, giving the house the height and breadth of that recurrent dream in which you open a closet door and find that in your absence a corridor and a staircase have bloomed there. The staircase rises and turns into a hall in which there are many doors among the book shelves, any one of which will lead you from one commodious room to another so that you can wander uninterruptedly and searching for nothing through a place that, even while you dream, seems not to be a house at all but a random construction put forward to answer some need of the sleeping mind. The house had been neglected in Leander’s youth, but he had restored it during his prosperous years at the table-silver company. It was old enough and large enough and had seen enough dark acts to support a ghost but the only room that was haunted was the old water closet at the back of the upstairs hall. Here a primitive engine, made of vitreous china and mahogany, stood by itself. Now and then—sometimes as often as once a day—this contraption would perform its functions independently. There would be the clatter of machinery and the piercing whinny of old valves. Then the roar of waters arriving and the suck of waters departing could be heard in every room of the house. So much for ghosts.

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