Oh, the wind and the rain and to hold in one’s arms a willing love! Why should life seem so pitilessly to harry him, why should the only reality seem to be obscene? He thought of the quantum theory, of Mittledorf’s Constant, of the discovery of helium in the tetrasphere, but they had no bearing on his sorrow. Are we all unmercifully imbedded in time, insensate, purblind, vain, cold to the appeals of love and reason and stripped of our gifts for reflection and self-assessment? Had the time come for him, and was his only reminder of reasonableness, of the stalwart he had been, a smell of vomit? He had seen brilliant colleagues orbit off into impermeable foolishness and vanity, claiming discoveries they had not discovered, discarding useful men for sycophants, running for Congress, circulating petitions and uncovering international and imaginary networks of enemies. He was no less interested in cleanliness and decency than he had ever been, but he seemed less well equipped to honor these interests. His thinking had the disgusting crudeness of pornography. He seemed to see some image of himself, separate and distant like a figure in a movie, forlorn and unredeemable, going about some self-destructive business in the rainy back streets of a strange city. Where was his goodness, his excellence, his common sense? I used to be a good man, he thought piteously. He shut his eyes in pain and in that movie that played interminably across the fine skin of his eyelids he saw himself stumbling over wet cobblestones under old-fashioned street lamps, falling, falling, falling from usefulness into foolishness, from high spirits into crudeness. Then he was tormented by that cretinous and sordid cylinder in the head or mind on which are inscribed old hymns and dance tunes, that musical junkyard, that territory where campfire songs, singing commercials, marches and fox trots gather and fester in their idiotic repetitiousness and appear at will, their puerile verses and their vulgar melodies in a state of perfect preservation. “Got those racetrack blues,” sang this chamber of his mind. It was a tune he had heard forty years ago on a crank-up phonograph and yet he could not stop the singing:
He left the café and started back to the Eden but his mind went on caroling:
He climbed up the Via Sistina and the song went on:
A young man was waiting for him in the lobby; one of those elegantly barbered youths who hang around the Pincio. He introduced himself at Luciana’s brother and said she must pay her dressmaker for the costume she would wear that evening. He took an envelope from his pocket and presented Cameron with a note in Luciana’s hand and a bill for a hundred thousand lire. Cameron returned it to the stranger and said he would pay the bill that evening. “Shesa no comea if you don’ta paya,” the youth said. “Tell her to call me,” Cameron said. He took the elevator up and the telephone was ringing when he entered his room. She was herself. He could imagine her twisting the telephone cord in her fingers. “You paya the bill,” she said, “or I no see you. You givea him the money.” For a second he thought of breaking the connection, breaking off the affair, but the noise of Roman traffic in the Roman streets reminded him of how far he was from home, that in fact he had no home, no friends, and that an ocean lay between him and his usefulness. He had come too far, he had come too far. Conduct and time were linear and serial; one was hurled through life with the bitch of remorse nipping at one’s hocks. No power of reason or justice or virtue could bring him to his senses.
There was a soft knock on the door and her soft-eyed agent stepped into the room. Cameron made him wait but the noises outside his window spelled his doom. After an hour with her he would be his high-minded and magnanimous self again but in order to achieve this he must be swindled, humiliated and gulled. She had jockeyed him into a position of helplessness. “All right,” he said, and they walked through the heat down to the Banco di Santo Spirito, where he cashed a draft for three hundred thousand lire and gave the boy his money. Then, and it was the only kind of disdain or self-expression left to him, he walked past the youth and out of the bank.
