Austen’s novels may end happily, but not without revealing the situation of women of her class and era. Marriage determined a woman’s fate. As Charlotte Lucas’s marriage to the ridiculous Mr. Collins so eloquently demonstrates, almost any kind of marriage was deemed better than being an old maid. Elizabeth Bennet’s decision to challenge this convention is presented as admirable, but daring. Whereas we know that Elizabeth’s wit and charm will win her a husband (and a well-deserved place in the aristocracy), we also know that scores of women like Charlotte will not be so lucky and will have to compromise. Under a calm surface, Austen illuminates the prejudices, the scandals, the sheer misfortune and misunderstanding that could leave women without a husband, and in the absence of a personal fortune, dependent entirely on the kindness of others for survival. Austen also suggested, through the successful social elevation of both male and female characters by means of marriage, that a stagnant but often snobbish aristocracy was in need of new blood.
The novelist who excelled in her treatment of love and marriage never herself married. She was, by all accounts, vivacious and attractive. The only surviving picture of her, a drawing done by her sister Cassandra, seems not to have done her justice. She had at least two semi-serious flirtations. At twenty-six she was briefly engaged to Harris Bigg-Withers, an heir five years her junior. Facing a lifetime with a man by all accounts as unfortunate as his name, Austen broke it off after less than a day. Rumors prevail of another, later attachment that was Austen’s true love. Her beloved sister Cassandra, who also remained unmarried, destroyed much of her correspondence after her death.
Instead, Austen chose something her heroines never consider: a career. She had written since her childhood, producing stories, anecdotes and vignettes to amuse her family. In the upheaval after the family left her beloved childhood home, Austen stopped writing. Settling gratefully back in Hampshire with her mother and sister, Austen turned again to the works that she had begun a decade before.
In her short, uneventful life this extraordinary writer created works that resonate even more strongly today than they did in the early 19th century. The modern cult of Jane Austen continues apace, as fans try to discover more about the elusive novelist’s life, and Hollywood films attempt to weave romantic tales out of the sketchy biographical details that exist. Many would agree, however, that her novels suffice. Discreet, ironic, witty and compassionate, Austen’s masterful writing is the measure of the woman.
SHAKA
1787–1828
Recollections of a surgeon visiting Shaka in 1824
Shaka was the founder of the Zulu empire and the creator of the Zulu nation but he was also a vicious, paranoid, vindictive, cruel and self-destructive tyrant.
Shaka was raised with an absent father and a strong, devoted and wronged mother in an atmosphere of instability, violence and fear. His father, Senzangakona, was chief of the Zulu tribe, but, unusually, opted to marry a lower-class woman from the neighboring eLangeni clan. The marriage broke up when the young Shaka was six, and his mother took him back to the eLangeni; however, she was ostracized there because of her marriage. Not only did the future leader spend the rest of his youth without a father, he also had to deal with the social stigma that resulted from a marriage that brought disgrace upon his mother. Unable to cope, his mother went into exile, eventually finding a home with the Mtetwa clan in 1802.