“Yes. I remembered—another of these docketed trifles—just what Chuchundra was. He was the musk-rat that tried to make up his mind to run into the middle of the room, but he never got there. Then I asked you if the trouble began with A. Of course it did. Agoraphobia. I suppose when Maurice was a kid he had slight attacks of it—hated to move about in an open room and preferred to sidle along by the walls if possible. That was the start of the nickname, wasn’t it?”

Cecil assented with a nod.

“It evidently cropped up in your family now and again. Hence the Fairy Houses—harbours of refuge when attacks came on. And that underground cell, where a man could shut himself up tight and escape the horror of open spaces.”

“I’d really no notion how bad it was with Maurice,” Cecil hastened to say. “It must have been deadly when it drove him to shoot himself.”

“Something beyond description, I should say,” Sir Clinton said, gravely.

He glanced over the wide prospects of the park and then raised his eyes to where great luminous clouds were sailing in stately procession across the blue.

“Looks peaceful, Cecil, doesn’t it? Makes one rather glad to be alive, when one gets into a scene like this. And yet, to poor Maurice it was a mere torture-chamber of nausea and torment, a horror that drove him to burrowing into holes and crannies, anywhere to escape from the terrors of the open sky. I don’t suppose that we normal people can even come near the thing in our imaginations. It’s too rum for our minds—outside everything we know. Poor devil! No wonder he went off the rails a bit in the end.”

<p>J. J. Connington (1880–1947)</p>

Alfred Walter Stewart, who wrote under the pen name J. J. Connington, was born in Glasgow, the youngest of three sons of Reverend Dr Stewart. He graduated from Glasgow University and pursued an academic career as a chemistry professor, working for the Admiralty during the First World War. Known for his ingenious and carefully worked-out puzzles and in-depth character development, he was admired by a host of his better-known contemporaries, including Dorothy L. Sayers and John Dickson Carr, who both paid tribute to his influence on their work. He married Jessie Lily Courts in 1916 and they had one daughter.

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