Berners-Lee T. Weaving the Web: The Origins and Future of the World Wide Web. London: Orion, 1999.
Beyond Webcams: An Introduction to Online Robots / Eds. K. Goldberg, R. Siegwart. Cambridge, Massachusetts: MIT Press, 2001.
Bogost I. Persuasive Games: The Expressive Power of Videogames. Cambridge, Massachusetts: MIT Press, 2007.
Bogost I. Unit Operations: An Approach to Videogame Criticism. Cambridge, Massachusetts: MIT Press, 2006.
Bolter J. D., Grusin R. Remediation: Understanding New Media. Cambridge, Massachusetts: MIT Press, 2000.
Burnett R. How Images Think. Cambridge, Massachusetts: MIT Press, 2005.
Burnham J. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century. NY: George Braziller, 1968.
Burnham J. Real Time Systems // Artforum. Vol. 8. No. I (September 1969).
Burnham J. Systems Aesthetics // Artforum. Vol. 7. No. I (September 1968).
Bush V. As We May Think // Atlantic Monthly. July 1945 [Электронный ресурс]. http://www.theatlantic.com/unbound/flashbks/computer/bushf.htm
Chadabe J. Electric Sound. The Past and Promise of Electronic Music. Upper Saddle River, New Jersey: Prentice Hall, 1997.
CODE: Collaborative Ownership and the Digital Economy / Ed. R. A. Ghosh. Cambridge, Massachusetts: MIT Press, 2005.
Context Providers: Conditions of Meaning in Media Arts / Eds. M. Lovejoy, Ch. Paul, V. Vesna. Chicago, Illinois: Intellect; University of Chicago Press, 2011.
Cook S., Graham B. Rethinking Curating: Art after New Media. Cambridge, Massachusetts: MIT Press, 2010.
Cosic V. net.art per se. Book project as part of the Slovenian Pavilion at the 49th Venice Biennale. Ljubljana: MGLC, 2001.
Couchot E. Between the Real and the Virtual // Annual InterCommunication’94. Tokyo: ICC, 1994.
Coyne R. Technoromanticism. Cambridge, Massachusetts: MIT Press, 1999.
Cubitt S. The Cinema Effect. Cambridge, Massachusetts: MIT Press, 2004.
Curating New Media: Third Baltic International Seminar / Eds. S. Cook, B. Graham, S. Martin. Gateshead: BALTIC, 2002.
Cyberspace. First Steps / Ed. M. Benedikt. Cambridge, Massachusetts: MIT Press, 1991.
Data Made Flesh. Embodying Information / Eds. R. Mitchell, Ph. Turtle. NY: Routledge, 2004.
Database Aesthetics. Art in the Age of Information Overflow / Ed. V. Vesna. Minneapolis, Minnesota: University of Minnesota Press, 2007.
Democracy and New Media / Eds. H. Jenkins, D. Thorburn. Cambridge, Massachusetts: MIT Press, 2004.
Eloquent images. Word and Image in the Age of New Media / Eds. M. E. Hocks; M. R. Kendrick. Cambridge, Massachusetts: MIT Press, 2005.
First Person. New Media as Story, Performance, and Game / Eds. N. Wardrip-Fruin, P. Harrigan. Cambridge, Massachusetts: MIT Press, 2006.
Fuller M. Media Ecologies. Materialist Energies in Art and Technoculture. Cambridge, Massachusetts: MIT Press, 2005.
Fuller M. Visceral Facades. Taking Matta-Clark’s crowbar to software [Электронный ресурс]. http://bak.spc.org/iod/Visceral.html
Future Cinema: The Cinematic Imaginary After Film / Eds. J. Shaw, P. Weibel. Cambridge, Massachusetts: MIT Press, 2003.
Galloway A. Protocol: How Control Exists After Decentralization. Cambridge, Massachusetts: MIT Press, 2006.
Galloway A. The Interface Effect. Cambridge, UK; Malden, Massachusetts: Polity Press: 2012.
Galloway A., Thacker E. The Exploit: A Theory of Networks. Minneapolis, Minnesota: University of Minnesota Press, 2007.
Goriunova O. Art Platforms and Cultural Production on the Internet. Oxford, UK; NY: Routledge, 2013.
Graham B. New Collecting. Exhibiting and Audiences after New Media Art. Surrey, UK: Ashgate, 2014.
Grau O. Virtual Art. From Illusion to Immersion. Cambridge, Massachusetts: MIT Press, 2004.
Hansen M. Bodies in Code. Interfaces with Digital Media. London: Routledge, 2006.
Hansen M. New Philosophy for New Media. Cambridge, Massachusetts: MIT Press, 2006.
Haraway D. J. Simians, Cyborgs, and Women. The Reinvention of Nature. NY; London: Routledge, 1991.
Hayles N. K. How We Become Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999.
Hayles N. K. Writing Machines. Cambridge, Massachusetts: MIT Press, 2002.
Huhtamo E. Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles. Cambridge, Massachusetts: MIT Press, 2013.
Hyper/Text/Theory / Ed. G. P. Landow. Baltimore; London: The Johns Hopkins University Press, 1994.
Imagery in the 21st Century / Ed. O. Grau. Cambridge, Massachusetts: MIT Press, 2011.
Immersed in Technology: Art and Virtual Environments / Eds. M. A. Moser; D. MacLeod. Cambridge, Massachusetts: MIT Press, 1995.