"Upstairs," answered Conrad in a low voice, showing that the silence and mystery of the house had laid a spell on him also. "Upstairs, in the library where he died."
I glanced up involuntarily. Somewhere above our head, the lone master of this grim house was stretched out in his last sleep—silent, his white face set in a grinning mask of death. Panic swept over me and I fought for control. After all, it was merely the corpse of a wicked old man, who was past harming anyone—this argument rang hollowly in my brain like the words of a frightened child who is trying to reassure himself.
I turned to Conrad. He had taken a time-yellowed envelope from an inside pocket.
"This," he said, removing from the envelope several pages of closely written, time-yellowed parchment, "is, in effect, the last word of John Grimlan, though God alone knows how many years ago it was written. He gave it to me ten years ago, immediately after his return from Mongolia. It was shortly after this that he had his first seizure.
"This envelope he gave me, sealed, and he made me swear that I would hide it carefully, and that I would not open it until he was dead, when I was to read the contents and follow their directions exactly. More, he made me swear that no matter what he said or did after giving me the envelope, I would go ahead as first directed. 'For,' he said with a fearful smile, 'the flesh is weak but I am a man of my word, and though I might, in a moment of weakness, wish to retract, it is far, far too late now. You may never understand the matter, but you are to do as I have said.'"
"Well?"
"Well," again Conrad wiped his brow, "tonight as he lay writhing in his death- agonies, his wordless howls were mingled with frantic admonitions to me to bring him the envelope and destroy it before his eyes! As he yammered this, he forced himself up on his elbows and with eyes staring and hair standing straight up on his head, he screamed at me in a manner to chill the blood. And he was shrieking for me to destroy the envelope, not to open it; and once he howled in his delirium for me to hew his body into pieces and scatter the bits to the four winds of heaven!"
An uncontrollable exclamation of horror escaped my dry lips.
"At last," went on Conrad, "I gave in. Remembering his commands ten years ago, I at first stood firm, but at last, as his screeches grew unbearably desperate, I turned to go for the envelope, even though that meant leaving him alone. But as I turned, with one last fearful convulsion in which blood-flecked foam flew from his writhing lips, the life went from his twisted body in a single great wrench."
He fumbled at the parchment.
"I am going to carry out my promise. The directions herein seem fantastic and may be the whims of a disordered mind, but I gave my word. They are, briefly, that I place his corpse on the great black ebony table in his library, with seven black candles burning about him. The doors and windows are to be firmly closed and fastened. Then, in the darkness which precedes dawn, I am to read the formula, charm or spell which is contained in a smaller, sealed envelope inside the first, and which I have not yet opened."
"But is that all?" I cried. "No provisions as to the disposition of his fortune, his estate—or his corpse?"
"Nothing. In his will, which I have seen elsewhere, he leaves estate and fortune to a certain Oriental gentleman named in the document as—Malik Tous!"
"What!" I cried, shaken to my soul. "Conrad, this is madness heaped on madness! Malik Tous—good God! No mortal man was ever so named! That is the title of the foul god worshipped by the mysterious Yezidees—they of Mount Alamout the Accursed—whose Eight Brazen Towers rise in the mysterious wastes of deep Asia. His idolatrous symbol is the brazen peacock. And the Muhammadans, who hate his demon-worshipping devotees, say he is the essence of the evil of all the universes—the Prince of Darkness—Ahriman—the old Serpent—the veritable Satan! And you say Grimlan names this mythical demon in his will?"
"It is the truth," Conrad's throat was dry. "And look—he has scribbled a strange line at the corner of this parchment: 'Dig me no grave; I shall not need one.'"
Again a chill wandered down my spine.
"In God's name," I cried in a kind of frenzy, "let us get this incredible business over with!"
"I think a drink might help," answered Conrad, moistening his lips. "It seems to me I've seen Grimlan go into this cabinet for wine—" He bent to the door of an ornately carved mahogany cabinet, and after some difficulty opened it.
"No wine here," he said disappointedly, "and if ever I felt the need of stimulants—what's this?"
He drew out a roll of parchment, dusty, yellowed and half covered with spiderwebs. Everything in that grim house seemed, to my nervously excited senses, fraught with mysterious meaning and import, and I leaned over his shoulder as he unrolled it.
