WHEN James Willoughby, millionaire philanthropist, realized that the dark, lightless car was deliberately crowding him into the curb, he acted with desperate decision. Snapping off his own lights, he threw open the door on the opposite side from the onrushing stranger, and leaped out, without stopping his own car. He landed sprawling on all fours, shredding the knees of his trousers and tearing the skin on his hands. An instant later his auto crashed cataclysmically into the curb, and the crunch of crumpled fenders and the tinkle of breaking glass mingled with the deafening reverberation of a sawed-off shotgun as the occupants of the mysterious car, not yet realizing that their intended victim had deserted his automobile, blasted the machine he had just left.
Before the echoes died away, Willoughby was up and running through the darkness with an energy remarkable for his years. He knew that his ruse was already discovered, but it takes longer to swing a big car around than for a desperately frightened man to burst through a hedge, and a flitting figure in the darkness is a poor target. So James Willoughby lived where others had died, and presently came on foot and in disheveled condition to his home, which adjoined the park beside which the murderous attempt had been made. The police, hastening to his call, found him in a condition of mingled fear and bewilderment. He had seen none of his attackers; he could give no reason for the attack. All that he seemed to know was that death had struck at him from the dark, suddenly, terribly and mysteriously.
It was only reasonable to suppose that death would strike again at its chosen victim, and that was why Brock Rollins, detective, kept a rendezvous the next evening with one Joey Glick, a nondescript character of the underworld who served his purpose in the tangled scheme of things.
Rollins bulked big in the dingy back-room appointed for the meeting. His massive shoulders and thick body dwarfed his height. His cold blue eyes contrasted with the thick black hair that crowned his low broad forehead, and his civilized garments could not conceal the almost savage muscularity of his hard frame.
Opposite him Joey Glick, never an impressive figure, looked even more insignificant than usual. And Joey's skin was a pasty grey, and Joey's fingers shook as he fumbled with a bit of paper on which was drawn a peculiar design.
"Somebody planted it on me," he chattered. "Right after I phoned you. In the jamb on the uptown train. Me, Joey Glick! They plant it on me and I don't even know it. Only one man in this burg handles dips that slick—even if I didn't know already.
"Look! It's the death-blossom! The symbol of the Sons of Erlik! They're after me! They've been shadowing me—tapping wires. They know I know too much—"
"Come to the point, will you?" grunted Rollins "You said you had a tip about the gorillas who tried to put the finger on Jim Willoughby. Quit shaking and spill it. And tell me, cold turkey—who was it?"
"The man behind it is Yarghouz Barolass."
Rollins grunted in some surprise.
"I didn't know murder was his racket."
"Wait!" Joey babbled, so scared he was scarcely coherent. His brain was addled, his speech disjointed. "He's head of the American branch of the Sons of Erlik—I know he is—"
"Chinese?"
"He's a Mongol. His racket is blackmailing nutty old dames who fall for his black magic. You know that. But this is bigger. Listen, you know about Richard Lynch?"
"Sure; got smashed up in an auto wreck by a hit-and-run speed maniac a week ago. Lay unidentified in a morgue all night before they discovered who he was. Some crazy loon tried to steal the corpse off the slab. What's that got to do with Willoughby?"
"It wasn't an accident." Joey was fumbling for a cigarette. "They meant to get him—Yarghouz's mob. It was them after the body that night—"
"Have you been hitting the pipe?" demanded Rollins harshly.
"No, damn it!" shrilled Joey. "I tell you, Yarghouz was after Richard Lynch's corpse, just like he's sending his mob after Job Hopkins' body tomorrow night—"
"Don't rush me," begged Joey, striking a match. "Gimme time. That death- blossom has got me jumping sideways. I'm jittery—"
"I'll say you are," grunted Rollins. "You've been babbling a lot of stuff that don't mean anything, except it's Yarghouz Barolass who had Lynch bumped off, and now is after Willoughby. Why? That's what I want to know. Straighten it out and give me the low-down."
"Alright," promised Joey, sucking avidly at his cigarette. "Lemme have a drag. I been so upset I haven't even smoked since I reached into my pocket for a fag and found that damned death-flower. This is straight goods. I know why they want the bodies of Richard Lynch, Job Hopkins and James Willoughby—"
