A motion from Yasmela checked his exclamation and, saluting, he took his stand again beside the doorway, motionless as a brazen image. The girls traversed the hallway, which seemed immense and eery in the light of the cressets along the lofty walls, and went down a stairway where Yasmela shivered at the blots of shadows which hung in the angles of the walls. Three levels down they halted at last in a narrow corridor whose arched ceiling was crusted with jewels, whose floor was set with blocks of crystal, and whose walls were decorated with golden friezework. Down this shining way they stole, holding each other's hands, to a wide portal of gilt.
Vateesa thrust open the door, revealing a shrine long forgotten except by a faithful few, and royal visitors to Khoraja's court, mainly for whose benefit the fane was maintained. Yasmela had never entered it before, though she was born in the palace. Plain and unadorned in comparison to the lavish display of Ishtar's shrines, there was about it a simplicity of dignity and beauty characteristic of the Mitran religion.
The ceiling was lofty, but it was not domed, and was of plain white marble, as were the walls and floor, the former with a narrow gold frieze running about them. Behind an altar of clear green jade, unstained with sacrifice, stood the pedestal whereon sat the material manifestation of the deity. Yasmela looked in awe at the sweep of the magnificent shoulders, the clear-cut features—the wide straight eyes, the patriarchal beard, the thick curls of the hair, confined by a simple band about the temples. This, though she did not know it, was art in its highest form the free, uncramped artistic expression of a highly esthetic race, unhampered by conventional symbolism.
She fell on her knees and thence prostrate, regardless of Vateesa's admonition, and Vateesa, to be on the safe side, followed her example; for after all, she was only a girl, and it was very awesome in Mitra's shrine. But even so she could not refrain from whispering in Yasmela's ear.
"This is but the emblem of the god. None pretends to know what Mitra looks like. This but represents him in idealized human form, as near perfection as the human mind can conceive. He does not inhabit this cold stone, as your priests tell you Ishtar does. He is everywhere—above us, and about us, and he dreams betimes in the high places among the stars. But here his being focusses. Therefore call upon him."
"What shall I say?" whispered Yasmela in stammering terror.
"Before you can speak, Mitra knows the contents of your mind—" began Vateesa. Then both girls started violently as a voice began in the air above them. The deep, calm, bell-like tones emanated no more from the image than from anywhere else in the chamber. Again Yasmela trembled before a bodiless voice speaking to her, but this time it was not from horror or repulsion.
"Speak not, my daughter, for I know your need," came the intonations like deep musical waves beating rhythmically along a golden beach. "In one manner may you save your kingdom, and saving it, save all the world from the fangs of the serpent which has crawled up out of the darkness of the ages. Go forth upon the streets alone, and place your kingdom in the hands of the first man you meet there."
The unechoing tones ceased, and the girls stared at each other. Then, rising, they stole forth, nor did they speak until they stood once more in Yasmela's chamber. The princess stared out of the gold-barred windows. The moon had set. It was long past midnight. Sounds of revelry had died away in the gardens and on the roofs of the city. Khoraja slumbered beneath the stars, which seemed to be reflected in the cressets that twinkled among the gardens and along the streets and on the flat roofs of houses where folk slept.
"What will you do?" whispered Vateesa, all a-tremble.
"Give me my cloak," answered Yasmela, setting her teeth.
"But alone, in the streets, at this hour!" expostulated Vateesa.
"Mitra has spoken," replied the princess. "It might have been the voice of the god, or a trick of a priest. No matter. I will go!"
Wrapping a voluminous silken cloak about her lithe figure and donning a velvet cap from which depended a filmy veil, she passed hurriedly through the corridors and approached a bronze door where a dozen spearmen gaped at her as she passed through. This was in a wing of the palace which let directly onto the street; on all other sides it was surrounded by broad gardens, bordered by a high wall. She emerged into the street, lighted by cressets placed at regular intervals.
